The Man from Bar 20: A Story of the Cow CountryMulford, Clarence Edward
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The Man from Bar 20: A Story of the Cow Country
Mulford, Clarence Edward
Cassidy, Hopalong (Fictitious character) -- Fiction; Western stories
Johnny could not roll a gun because he never had tried very hard to
master that most difficult of all gun-play, regarding it as an idle
accomplishment, good only for exhibition purposes, and, while awe
inspiring, Johnny had no yearning for it. He clove to strict utility
and did not care to call attention to his wooden-handled, flare-butt
Frontiers. There was no ornamentation on them, no ivory, inlay, or
engraving. The only marks on their heavy, worn frames were a few dents.
He had such a strong dislike for fancy guns that the sight of ivory
grips made his lips curl, and such things as pearl handles filled him
with grieving contempt for the owner.
He never mentioned his guns to any but his closest friends, and they
were as unconscious a part of him as his arms or his legs. And it
was his creed that no man but himself should touch them, his friends
excepted. He wore them low because utility demanded it; and to so wear
them, and to tie them down besides, was in itself a responsibility, for
there were men who would not be satisfied with the quiet warning.
In other things, from routine ranch work to man-hunting, from roping
and riding to rifle shooting, the old outfit of the Bar-20 had been his
teachers and they had taken him in hand at an early age. His rifle he
had copied from Hopalong; but Red had taught him the use of it, and to
his way of thinking Red Connors was without a peer in the use of the
longer weapon.
Johnny was a genius with his six-guns, one of those few men produced in
a generation; and he did not belong to the class of fancy gun-workers
who shine at exhibitions and fall short when lead is flying and the
nerves are sorely tried. He shot from his hips by instinct, and that is
the real test of utility. Had he turned his talents to ends which lay
outside the law he would have become the most dangerous and the most
feared man in the cow-country.
John Logan awoke with a start, sat up suddenly in his bunk and grunted
a profane query as his hand closed over his Colt.
"It's Nelson," softy said a voice from outside the window. "Don't make
so much noise," it continued, as its owner dropped a handful of pebbles
on the ground. "I wanted you awake before I showed myself. Never
like to walk into a man's room in th' dark, when he's asleep an' not
expectin' visitors. 'Specially when he's worryin' about rustlers. It
ain't allus healthy."
"All right," growled the foreman, "but you don't have to throw 'em; you
can toss 'em, easy, from there. I've got a welt on my head as big as
a chew of tobacco. I'm shore glad you couldn't find nothin' out there
that was any bigger. You comin' in or am I comin' out?"
The door squeaked open and squeaked shut and then a chair squeaked.
"You got a musical room," observed Johnny, chuckling softly. "Yore bunk
squeaked, too, when you sat up."
Public-domain text, read in full here on John Shaqi.
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