The Man from Bar 20: A Story of the Cow CountryMulford, Clarence Edward
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The Man from Bar 20: A Story of the Cow Country
Mulford, Clarence Edward
Cassidy, Hopalong (Fictitious character) -- Fiction; Western stories
"Stand up an' take it," retorted Johnny.
"Reckon I'm scared to?"
There was no reply, for Johnny had slipped away and was running at top
speed along a gully, where he was out of sight of the hard-working
Fleming. A few minutes later he had reached his rifle and was cuddling
it against his cheek; and he was causing Sanford a great amount of
mental anguish and wriggling progress.
"Some people calls this strategy," muttered Johnny, "but I calls it
common sense."
Raising his head cautiously he looked across the valley but saw no
sign of Fleming; and he figured that it would be an hour before that
interesting person could cross the valley and get close enough to be
a menace. What concerned him most were the two rustlers' friends,
who must certainly have heard the shooting. Out of deference to the
curiosity of those individuals he crawled into a partly filled-in
crevice, whose sides were steep rock and whose floor was several feet
below the level of the surrounding plateau.
Peering out from between two rocks he saw Sanford's sombrero disappear
from the ridge, and then it cautiously arose again; and Johnny's eyes
narrowed, for he knew the numerous uses of sombreros.
"Keep stickin' it up," he muttered. "An when I get tired shootin' at it
you'll stick yore head in it an' get a good look around. Most generally
when a man pokes up an empty hat th' crown don't tip back as it rises;
it just comes up level. An honest hat slants back more an' more as it
comes up. 'Cause why? Why, 'cause. 'Cause a man uses his neck to raise
his head with. Now, if he kept his neck stiff an' raised his whole
body, from th' knees up, plumb straight in th' air, then th' hat would
come up level. An' I asks you, Ladies an' Gents, if a man layin' down
behind a little ridge can raise his whole body stiff an' straight,
plumb up an' down? No, ma'am; he can't. He raises his soiled an'
leathery neck, an' th' top of th' useful sombrero just naturally leans
backward; just like that.
"Look, Mister; there it comes again; an' it don't tip back at all. I
shall ignore it, deliberate an' cold. But when it tips back, lifelike
an' natural, like a' honest hat should, then I'll pay attention to it,
me an' my little Sharp's Special.
"Oh, I've done made a study of appearin' hats. I'm a reg'lar
he-milliner. It was Red Connors an' Hoppy that directed my great
intelligence to that important science. Tex Ewalt knowed about it,
too. Tex was eddicated, he was. He said it is in th' little things
that genius showed. He said somethin' about genius payin' attention to
details, an' havin' infernal patience. Now, Ladies an' Gents, a hat is
a detail; an' right now I've got th' infernal patience. Lookee! There
she comes again! Level as a table. So, you see; I'm a genius. An' ain't
he a persistent cuss? He's got infernal patience, too; but he ain't no
genius. He ain't strong on details."
He looked around and grinned. Another hat, to the west of him, was in
plain sight.
Public-domain text, read in full here on John Shaqi.
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