The Man from Bar 20: A Story of the Cow CountryMulford, Clarence Edward
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The Man from Bar 20: A Story of the Cow Country
Mulford, Clarence Edward
Cassidy, Hopalong (Fictitious character) -- Fiction; Western stories
"Huh! Two hats in sight are two corners of a triangle; an' sometimes
th' most dangerous corner is th' third, where there ain't no hat.
Somewhere east of me there's a feller sneakin' up; an' he's th' feller
I got to ventilate with my long-distance ventilator. An' mebby th'
second hat's boss is circlin' around bare-headed; but it is still a
triangle. Mebby it's a four or five or six cornered triangle. An' me,
I'm all alone; so I'll crawl east an' hunt for company."
He dropped the monologue and took up the science of wriggling swiftly
and silently; and when he stopped he was in the middle of a nest of
rocks and bowlders at the base of a great pile of them.
The second hat still could be seen, but he gave most of his attention
to the opposite direction.
"If I'm wrong, why did Number Two stick up his hat? I'll bet a peso
that him, or Red Shirt, or their friends are stalkin' me from th' east.
An' I'll bet two pesos that I'll cure him of such pranks. There's only
two ways of explainin' that second hat. One is that th' owner is loco.
Th' other is that he left his sign hangin' up to show me where he
ain't. Th' other is that he left it so I'd think he wasn't there, but
he is. An' th' other is that he figgered I'd think he left it to show
me where he ain't an' that I'd think he was, so he moved on an' ain't
there at all. Jumpin' mavericks! It makes my head ache. Havin' settled
it with only four ways left to guess, I'll stay pat, right here, an'
let them do th' openin'."
The shadows were growing longer and reaching out from bowlders and
brush like dark fingers of destiny, and the sun hung over the western
buttes and set them afire with brilliant colors. A lizard flashed
around a rock, regarded the prone and motionless figure with frank
suspicion until a slight movement sent it scurrying back again.
To the left a bush trembled slightly and he covered a rain-worn crease
which cut through the top of a ditch bank. To the right a pebble
clicked and behind him came the faint snapping of a twig.
"_Three_ of 'em stalkin' me!" he muttered angrily. "I got to shoot on
sight an' not waste a shot. An' they knowed where I was, judgin' from
th' way they're closin' in on that crevice."
In front of him a red line showed and, rising steadily into view,
became the back of a bare head. Then, very slowly, a brown neck pushed
up, followed by the shoulders. Johnny picked up a small rock and arose
to a squatting position.
Sanford was now on his toes, crouching, the tips of his left hand
fingers on the ground, while in his other hand, held shoulder high,
poised a Colt, ready for that quick, chopping motion which many men
affected.
Johnny took careful aim and threw the stone. Sanford jumped when the
missile struck near him, and wheeled like a flash, the Colt swinging
down. He saw a squatting figure, a dull glint of metal and a spurt
of flame. Johnny wriggled swiftly back among the rocks and awaited
developments.
Public-domain text, read in full here on John Shaqi.
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