There had been a time when the hotel was full of "live ones," and nearly
every mine owner had one of his own in tow, but this was when the
Mascot was working three shifts and a big California outfit had bonded
the Goldbug.
But a "fault" had come into the vein on the Mascot and they had never
been able to pick up the ore-shoot again. So the grass grew ankle-deep
on the Mascot hill because there were no longer three shifts of
hob-nailed boots to keep it down. The California outfit dropped the
Goldbug as though it had been stung, and a one-lunger stamp-mill chugged
where the camp had dreamed of forty.
In the halcyon days, the sound that issued from "The Bucket o' Blood"
suggested wild animals at feeding time; but the nightly roar from the
saloon even in summer had sunk to a plaintive whine and ceased
altogether in winter. Machinery rusted and timbers rotted while the roof
of the Hinds House sagged like a sway-backed horse; so did the beds, so
also did "Old Man" Hinds' spirits, and there was a hole in the
dining-room floor where the unwary sometimes dropped to their
hip-joints.
But the Hinds House continued to be, as it always had been, the social
centre, the news bureau, the scene where large deals were constantly
being conceived and promulgated--although they got no further. Each
inhabitant of Ore City had his set time for arriving and departing, and
he abided as closely by his schedule as though he kept office hours.
There was a generous box of saw-dust near the round sheet-iron stove
which set in the middle of the office, and there were many
straight-backed wooden chairs whose legs were steadied with baling wire
and whose seats had been highly polished by the overalls of countless
embryo mining magnates. On one side of the room was a small pine table
where Old Man Hinds walloped himself at solitaire, and on the other side
of the room was a larger table, felt-covered, kept sacred to the games
of piute and poker, where as much as three dollars sometimes changed
hands in a single night.
At the extreme end of the long office was a plush barber chair, and a
row of gilt mugs beneath a gilt mirror gave the place a metropolitan
air, although there was little doing in winter when whiskers and long
hair became assets.
Selected samples of ore laid in rows on the window-sills; there were
neat piles heaped in the corners, along the walls, and on every shelf,
while the cabinet-organ, of Jersey manufacture, with its ornamental rows
of false stops and keys, which was the distinguishing feature of the
office, had "spec'mins" on the bristling array of stands which stood out
from it in unexpected places like wooden stalagmites.
The cabinet-organ setting "catty-cornered" beside the roller-towel
indicated the presence of womankind, and it indicated correctly, for out
in the kitchen was Mrs. Alonzo Snow, and elsewhere about the hotel were
her two lovely daughters, the Misses Violet and Rosie Snow,--facetiously
known as "the Snowbirds."
Public-domain text, read in full here on John Shaqi.
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