The Man in Black: An Historical Novel of the Days of Queen AnneJames, G. P. R. (George Payne Rainsford)
History
The Man in Black: An Historical Novel of the Days of Queen Anne
James, G. P. R. (George Payne Rainsford)
Great Britain -- History -- Anne, 1702-1714 -- Fiction
"Better, perhaps," replied her mistress, with a quiet smile; "but was
he so very wicked? I never heard any evil of him."
"Oh dear me, madam! do not you know?" exclaimed the old woman; and
then came the whole story of the cotter's daughter on the hill, and
how she and her father and old Mother Danby--whom people believed to
be a witch--had persuaded or threatened Sir John Hastings into making
rich people of them.
"Persuaded or threatened Sir John Hastings!" said the lady in a tone
of doubt. "I knew him better than either of his sons; and never did I
see a man so little likely to yield to persuasion or to bow to menace;"
and she fell into a deep fit of musing, which lasted long, while the
old housekeeper rambled on from subject to subject, unlistened to, but
very well content.
Let us dwell a little on the lady, and on her character. There is
always something to interest, something to instruct, in the character
of a woman. It is like many a problem in Euclid, which seems at first
sight as plain and simple as the broad sunshine; but when we come to
study it, we find intricacies beneath which puzzle us mightily to
resolve. It is a fine, curious, delicate, complicated piece of
anatomy, a woman's heart. I have dissected many, and I know the fact.
Take and lay that fibre apart--take care, for heaven's sake! that you
do not tear the one next to it; and be sure you do not dissever the
fragments which bind those most opposite parts together! See, here
lies a muscle of keen sensibility; and there--what is that? A
cartilage, hard as a nether millstone. Look at those light, irritable
nerves, quivering at the slightest touch; and then see those tendons,
firm, fixed, and powerful as the resolution of a martyr. Oh, that
wonderful piece of organization who can describe it accurately?
I must not pretend to do so; but I will give a slight sketch of the
being before me.
There she stands, somewhat above the usual height, but beautifully
formed, with every line rounded and flowing gracefully into the
others. There is calmness and dignity in the whole air, and in every
movement; but yet there is something very firm, very resolute, very
considerate, in the fall of that small foot upon the carpet. She
cannot intend her foot to stay there for ever; and yet, when she sets
it down, one would be inclined to think she did. Her face is very
beautiful--every feature finely cut--the eyes almost dazzling in their
dark brightness. How chaste, how lovely the fine lines of that mouth.
Yet do you see what a habit she has of keeping the pearly teeth close
shut--one pure row pressed hard against the other. The slight
sarcastic quiver of the upper lip does not escape you; and the
expanded nostril and flash of the eye, contradicted by the fixed
motionless mouth.
Public-domain text, read in full here on John Shaqi.
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