I didn’t want to touch the thing: the stain at the end made me shudder.
But with a baker’s dozen of suspicious eyes—well, we’ll say fourteen:
there were no one-eyed men—I took the fragment in the tips of my
fingers and looked at it helplessly.
“Very fine chains are much alike,” I managed to say. “For all I know,
this may be mine, but I don’t know how it got into that sealskin bag. I
never saw the bag until this morning after daylight.”
“He admits that he had the bag,” somebody said behind me. “How did you
guess that he wore glasses, anyhow?” to the amateur sleuth.
That gentleman cleared his throat. “There were two reasons,” he said,
“for suspecting it. When you see a man with the lines of his face
drooping, a healthy individual with a pensive eye,—suspect astigmatism.
Besides, this gentleman has a pronounced line across the bridge of his
nose and a mark on his ear from the chain.”
After this remarkable exhibition of the theoretical as combined with
the practical, he sank into a seat near-by, and still holding the
chain, sat with closed eyes and pursed lips. It was evident to all the
car that the solution of the mystery was a question of moments. Once he
bent forward eagerly and putting the chain on the window-sill,
proceeded to go over it with a pocket magnifying glass, only to shake
his head in disappointment. All the people around shook their heads
too, although they had not the slightest idea what it was about.
The pounding in my ears began again. The group around me seemed to be
suddenly motionless in the very act of moving, as if a hypnotist had
called “Rigid!” The girl in blue was looking at me, and above the din I
thought she said she must speak to me—something vital. The pounding
grew louder and merged into a scream. With a grinding and splintering
the car rose under my feet. Then it fell away into darkness.
CHAPTER VIII.
THE SECOND SECTION
Have you ever been picked up out of your three-meals-a-day life,
whirled around in a tornado of events, and landed in a situation so
grotesque and yet so horrible that you laugh even while you are
groaning, and straining at its hopelessness? McKnight says that is
hysteria, and that no man worthy of the name ever admits to it.
Also, as McKnight says, it sounds like a tank drama. Just as the
revolving saw is about to cut the hero into stove lengths, the second
villain blows up the sawmill. The hero goes up through the roof and
alights on the bank of a stream at the feet of his lady love, who is
making daisy chains.
Public-domain text, read in full here on John Shaqi.
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