The Man in Ratcatcher, and Other StoriesMcNeile, H. C. (Herman Cyril)
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The Man in Ratcatcher, and Other Stories
McNeile, H. C. (Herman Cyril)
Detective and mystery stories, English; English fiction -- 20th century
The head-waiter nodded in silence, and moved away. Very few men would
have asked him to do such a thing; he would have done it for still
fewer. But this was an exception, and tragedy is never far off when the
Fordinghams of this world dine with youngsters who have run away from
their husbands.
Hugh, with an eagerness which almost suffocated him, waited for the
first bars of the waltz he had asked the orchestra to play. The last
time he had heard it, he had been dining at the Milan with Doris. It
was their favourite waltz; on every programme they had made a point of
dancing it together. Would she remember? Would it break through the
wretched wall of misunderstanding, and carry her back to the days when
it was just they two, and there was nothing else that mattered in the
whole wide world?
The haunting melody stole gently through the room, and, with his heart
pounding madly, Hugh Lethbridge watched his wife. At the very first
note she sat up abruptly, and with a grim triumph Hugh saw the look of
sudden surprise on her companion’s face. Then, very slowly, she turned
and stared at their usual table. Her lips were parted, and to the man
who watched so eagerly it seemed as if she were breathing a little
quickly. Almost he fancied he could see a look of dawning wonder in her
eyes, like a child awakening in a strange room.
Then she turned away, and sat motionless till the music sobbed into
silence. And as her companion joined in the brief perfunctory applause,
Hugh’s glance for a moment rested on François. The head-waiter was
smiling gently to himself.
Five minutes later she rose, and Fordingham, with a quick frown, got up
with her. That acute judge of feminine nature was under no delusions as
to what had happened, and behind the smiling mask of his face he cursed
the orchestra individually and comprehensively. Quite obviously a girl
not to be rushed; he had been congratulating himself on the progress
made during dinner. In fact, he had been distinctly hopeful that the
fruit was ripe for the plucking that very night. And now that confounded
tune had wakened memories. And memories are the devil with women.
He adjusted her opera-cloak, and followed her to the door. Things would
have to be handled carefully in the car going back, very carefully. One
false word, and the girl would shy like a wild thing. He was thankful
that he had already told her quite casually that by an extraordinary
coincidence he was stopping at the same hotel as she was. At the time
it had seemed to make not the slightest impression on her; she had not
even required the usual glib lie that his flat was being done up.
He helped her into the car and spoke to the chauffeur. And a large man
in a gorgeous uniform, having given a message to a small page-boy,
watched the big Daimler glide swiftly down Piccadilly.
"Madame has gone to the Magnificent, M’sieur," were the words with which
François roused Hugh from his reverie, a few minutes later.
Public-domain text, read in full here on John Shaqi.
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