The man in the street: Papers on American topicsNicholson, Meredith
General
The man in the street: Papers on American topics
Nicholson, Meredith
American essays -- 20th century
His incompetence--real or pretended--in many directions was one of the
most delightful things about him. Even in the commonest transactions
of life he was rather helpless--the sort of person one instinctively
assists and protects. His deficiencies of orientation were a joke among
his friends, and though he insisted that he couldn’t find his way
anywhere, I’m disposed to think that this was part of the make-believe
in which he delighted. When he intrusted himself to another’s
leading he was always pleased if the guide proved as incapable as
himself. Lockerbie Street is a little hard to find, even for lifelong
Indianapolitans, and for a caller to confess his difficulties in
reaching it was sure to add to the warmth of his welcome.
Riley had no patience for research, and cheerfully turned over to
friends his inquiries of every sort. Indeed he committed to others
with comical light-heartedness all matters likely to prove vexatious
or disagreeable. He was chronically in search of something that might
or might not exist. He complained for years of the loss of a trunk
containing letters from Longfellow, Mark Twain, and others, though his
ideas as to its genesis and subsequent history were altogether hazy.
He was a past master of the art of postponement, but when anything
struck him as urgent he found no peace until he had disposed of it.
He once summoned two friends, at what was usually for him a forbidden
hour of the morning, to repair forthwith to the photographer’s, that
the three might have their pictures taken, his excuse being that one or
another might die suddenly, leaving the desired “group” unrealized--a
permanent sorrow to the survivors.
His portrait by Sargent shows him at his happiest, but for some reason
he never appeared to care for it greatly. There was, I believe, some
vague feeling on his part that one of the hands was imperfect--a little
too sketchy, perhaps. He would speak cordially of Sargent and describe
his method of work with characteristic attention to detail; but when
his opinion of the portrait was solicited, he would answer evasively or
change the subject.
Public-domain text, read in full here on John Shaqi.
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