He did not see his aunt again till supper; the time between he spent in
walking, like some troubled ghost, round the place where his treasure
lay. He went as far as a little gate, that led into a copse near Mr.
Walton’s house, to which that gentleman had been so obliging as to let
him have a key. He had just begun to open it when he saw, on a terrace
below, Miss Walton walking with a gentleman in a riding-dress, whom he
immediately guessed to be Sir Harry Benson. He stopped of a sudden; his
hand shook so much that he could hardly turn the key; he opened the gate,
however, and advanced a few paces. The lady’s lap-dog pricked up its
ears, and barked; he stopped again—
—“The little dogs and all,
Tray, Blanch, and Sweetheart, see they bark at me!”
His resolution failed; he slunk back, and, locking the gate as softly as
he could, stood on tiptoe looking over the wall till they were gone. At
that instant a shepherd blew his horn: the romantic melancholy of the
sound quite overcame him!—it was the very note that wanted to be
touched—he sighed! he dropped a tear!—and returned.
At supper his aunt observed that he was graver than usual; but she did
not suspect the cause: indeed, it may seem odd that she was the only
person in the family who had no suspicion of his attachment to Miss
Walton. It was frequently matter of discourse amongst the servants:
perhaps her maiden coldness—but for those things we need not account.
In a day or two he was so much master of himself as to be able to rhyme
upon the subject. The following pastoral he left, some time after, on
the handle of a tea-kettle, at a neighbouring house where we were
visiting; and as I filled the tea-pot after him, I happened to put it in
my pocket by a similar act of forgetfulness. It is such as might be
expected from a man who makes verses for amusement. I am pleased with
somewhat of good nature that runs through it, because I have commonly
observed the writers of those complaints to bestow epithets on their lost
mistresses rather too harsh for the mere liberty of choice, which led
them to prefer another to the poet himself: I do not doubt the vehemence
of their passion; but, alas! the sensations of love are something more
than the returns of gratitude.
LAVINIA.
A PASTORAL.
Why steals from my bosom the sigh?
Why fixed is my gaze on the ground?
Come, give me my pipe, and I’ll try
To banish my cares with the sound.
Erewhile were its notes of accord
With the smile of the flow’r-footed Muse;
Ah! why by its master implored
Shou’d it now the gay carrol refuse?
’Twas taught by LAVINIA’S sweet smile,
In the mirth-loving chorus to join:
Ah, me! how unweeting the while!
LAVINIA—can never be mine!
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account