should be the _mot d’ordre_ of the present time.”
In 1858, when the Austrian Ministry exerted pressure on the Hungarian
Academy to abolish the articles of its statutes which constituted the
culture of the Magyar language, its fundamental task, Széchényi wrote
another letter, which describes his mental condition: “Can I be silent
when I see that noble seed crushed? Can I forget the services which
that powerful benefactor has rendered us? I ask--I, whose misfortune
lies, not in a vague confusion of ideas, but, on the contrary, in the
fatal gift of seeing too clearly, too distinctly, to make any illusion
possible. Ought I not to raise a cry of alarm, seeing our dynasty
possessed by I know not what evil influence, fighting against the most
energetic of its peoples, against that for whom the future reserves the
highest destiny, and not only contemning it but stifling it, depriving
it of its proper character, shaking to its roots the secular tree of the
empire. Founder of this Academy, it is my duty to-day to speak. So long
as my head is on my shoulders, so long as my brain is not entirely
obscured, so long as the light of my eyes remains unveiled by eternal
night, I shall retain my right to decide concerning the rules. Our
Emperor will sooner or later understand that the assimilation of the
races of the empire is merely the Utopia of his ministers; the day will
come when all will detach themselves. Hungary alone, which has no racial
affinity with the other European nations, will seek to accomplish its
own destiny beneath the ægis of the royal dynasty.”
That was in 1858. In 1859, even before the outbreak of war, he
prophesied defeat, and showed its results: “There are crises,” he said,
“which lead to cure when the sick person is not incurable.” He published
at London a book in which, in a strange and humorous, but at the same
time terrible way, he traced the history of Hungary’s sufferings under
Bach’s iron rule, sketched the future of his country, and counselled a
policy of concord, parallel but not servile to that of Austria. “In
truth,” he wrote himself, “this book is miserable; but do you know how
the Margaret Island was formed? According to an old legend, the Danube
once occupied its site; some carrion once, no one knows how, settled on
to a sand-bank and became attached there. Whatever the river swept down,
froth, leaves, branches, trees, all were piled up there, and at last a
magnificent island arose. My work is something like that carrion. Who
knows what may arise out of it at last?”
Public-domain text, read in full here on John Shaqi.
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