A few months later Hübner succeeded Bach, and the Liberal system was
inaugurated. Széchényi was wild with joy; from his humble room he
encouraged the minister, sent him plans of reform, inspired or wrote
papers on the renewal of Austria, not forgetting Hungary. The dream was
soon dissipated; Hübner was succeeded by Thierry, a bad disciple of
Bach, armed with the old and superannuated systems of Austria; all
reform was abandoned. The unfortunate Széchényi resisted sorrowfully; he
called Rechberg, begged him to inform the Emperor of his mistake while
there was still time, and submitted programmes for an Austrian
constitution and a Hungarian constitution, internal affairs to be
treated separately, and external affairs conjointly. Rechberg, far less
foreseeing than this inspired madman, said, shaking his head: “One can
easily see that this project comes from a lunatic asylum.” Worse still,
Thierry, suspecting a vulgar conspirator in the great Magyar, sent a
troop of police to visit the asylum, threatened to imprison him, and
deprived him of his papers.
The unhappy man, whose madness was merely an irresistible need to serve
his country at all costs, had only one remorse; he feared he had not
sufficiently served his country, and henceforth all hopes were closed.
He sought in vain to stifle his poignant grief by playing desperately at
chess. At last he shot himself with a revolver. That was on the 8th of
April, 1860. In 1867, Francis Joseph was crowned King of Hungary, thus
realizing the dreams of the Döbling lunatic; and Rechberg, who had
laughed at them, was called upon to put them in practice.
E. T. A. Hoffmann, that strange poet, artist, and musician, whose
drawings ended in caricature, his tales in extravagance, and his music
in a mere medley of sound, but who was, nevertheless, the real creator
of fantastic poetry, was a drunkard. Many years before his death he
wrote in his journal: “How is it that, awake or asleep, my thoughts are
always running, in spite of myself, on this miserable theme of madness?
Disorderly ideas seem to rise out of my mind like blood from opened
veins.” He was so sensitive to atmospheric variations that he
constructed a meteorological scale out of his subjective emotions. For
many years he was subject to a real monomania of persecution, with
hallucinations in which the fantasies of his stories were converted into
realities.
Public-domain text, read in full here on John Shaqi.
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