The Man of Last Resort; Or, The Clients of Randolph MasonPost, Melville Davisson
General
The Man of Last Resort; Or, The Clients of Randolph Mason
Post, Melville Davisson
American fiction -- 19th century; Detective and mystery stories, American; Legal stories, American
“As I have said, it was very dark, and the roar of the waters was
something frightful, but we were quite familiar with the bridge, and,
becoming accustomed to the darkness, presently came to see sufficiently
for our purposes.
“Hirst went directly to the span of the bridge nearest the east shore,
and, removing his coat and vest, placed them across one of the girders.
Then he began to undo the bundle in order to put on the miner's clothing
which he had brought with him.
“This was my opportunity, and I suggested that we first walk to the
other side in order to make sure that the bridge was entirely clear.
He immediately put down the bundle and came up to me. I do not now know
whether there was in his mind any trace of suspicion, but I do know that
at this suggestion the man seized my arm and tried to look into my face,
and I am certain that had it been light he would have discovered the
treachery which I was contemplating. But it was dark, and the man said
nothing except to curse the night. He was exceedingly profane, this
Hirst, and as we walked the length of the bridge, he holding my arm
and damning the night in half whispers, I somehow felt that this man
appreciated in a vague way the doom that was impending. But I presume
that this was simply an impression arising from the intense strain under
which I was laboring.
“As we were about to return, I pointed to the white surf, breaking on
the bowlders below. The man, still holding my arm, stopped, leaned over
the low railing, and peered down into the water. This was the position
into which I had hoped to trap him, and, wrenching my arm loose
suddenly, I struck him heavily between the shoulders. The man plunged
forward over the railing, clutching wildly at the air, but he uttered no
cry. and his body whirled downward into the blackness below.
“I clung to the railing and strove to see where the body would strike,
but it was folly. The bridge was high above the rough stream, and I
heard only the dull splash that told of his death.”
The eyes of the coal operator seemed to stretch at the corners, and a
dull gray spread over his face.
“I should like to be rid of that scene,” he continued after a moment.
“It is frightfully vivid. Every detail of it seems to have been
photographed on my brain, and it runs before me like the pictures in
a vitascope. Men sometimes forget such things, it is said, but, in the
name of Heaven, how? Why, I can see him any moment in the dark. I can
see his strained white face mad with horror, I can see his clutching
hands, I can feel in my own throat just how the terror of death choked
in his, and I know, I know----”
Randolph Mason struck his clenched fist heavily on the table. “Sir,” he
said sharply, “you will kindly omit this drivel. Give me the facts just
as they occurred. You may reserve your melodrama for the purposes of a
copyright.”
Public-domain text, read in full here on John Shaqi.
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