Produced by Chris Curnow, Joseph Cooper and the Online Distributed Proofreading Team at http://www.pgdp.net Transcriber's Note: Superscript characters are preceded by a caret (^). THE AUGUSTAN REPRINT SOCIETY [JAMES BRAMSTON] THE MAN of TASTE (1733) _Introduction by_ F. P. LOCK PUBLICATION NUMBER 171 WILLIAM ANDREWS CLARK MEMORIAL LIBRARY UNIVERSITY OF CALIFORNIA, LOS ANGELES 1975 GENERAL EDITORS William E. Conway, William Andrews Clark Memorial Library George Robert Guffey, University of California, Los Angeles Maximillian E. Novak, University of California, Los Angeles David S. Rodes, University of California, Los Angeles ADVISORY EDITORS Richard C. Boys, University of Michigan James L. Clifford, Columbia University Ralph Cohen, University of Virginia Vinton A. Dearing, University of California, Los Angeles Arthur Friedman, University of Chicago Louis A. Landa, Princeton University Earl Miner, Princeton University Samuel H. Monk, University of Minnesota Everett T. Moore, University of California, Los Angeles Lawrence Clark Powell, William Andrews Clark Memorial Library James Sutherland, University College, London H. T. Swedenberg, Jr., University of California, Los Angeles Robert Vosper, William Andrews Clark Memorial Library CORRESPONDING SECRETARY Beverly J. Onley, William Andrews Clark Memorial Library INTRODUCTION For what has Virro painted, built, and planted? Only to show, how many Tastes he wanted. What brought Sir Visto's ill got wealth to waste? Some Daemon whisper'd, "Visto! have a Taste." (Pope, Epistle to Burlington) The idea of "taste" and the ideal of the "man of taste" have fallen considerably in critical esteem since the eighteenth century. When F. R. Leavis calls Andrew Lang "a scholar and a man of taste, with a feeling for language and a desire to write poetry,"[1] it is clear that for Leavis these attributes disqualify Lang from being taken seriously as a poet. But for the age of Pope, "taste" was a key term in its aesthetic thinking; the meaning and application of the term was a lively issue which engaged most of the ablest minds of the period.