The Augustan Reprint Society Charles Macklin THE MAN OF THE WORLD (1792) With an Introduction by Dougald MacMillan Publication Number 26 Los Angeles William Andrews Clark Memorial Library University of California 1951 _GENERAL EDITORS_ H. RICHARD ARCHER, _Clark Memorial Library_ RICHARD C. BOYS, _University of Michigan_ EDWARD NILES HOOKER, _University of California, Los Angeles_ JOHN LOFTIS, _University of California, Los Angeles_ _ASSISTANT EDITOR_ W. EARL BRITTON, _University of Michigan_ _ADVISORY EDITORS_ EMMETT L. AVERY, _State College of Washington_ BENJAMIN BOYCE, _Duke University_ LOUIS I. BREDVOLD, _University of Michigan_ CLEANTH BROOKS, _Yale University_ JAMES L. CLIFFORD, _Columbia University_ ARTHUR FRIEDMAN, _University of Chicago_ SAMUEL H. MONK, _University of Minnesota_ ERNEST MOSSNER, _University of Texas_ JAMES SUTHERLAND, _Queen Mary College, London_ H.T. SWEDENBERG, JR., _University of California, Los Angeles_ INTRODUCTION During his extraordinarily long career as an actor, Charles Macklin wrote several plays. The earliest is _King Henry VII; or, The Popish Imposter_, a tragedy based on the Perkin Warbeck story, performed at Drury Lane 18 January 1745/6 and published the same year. As the Preface states, it "was design'd as a Kind of Mirror to the present Rebellion"; and it provided the author with a part in which he could express, through the character of Lord Huntley, his own aversion to foreign influences in the land, to "_French_ and Priest-rid Weakness" and "Romish Tyranny." This and his succeeding plays were obviously composed to provide parts for himself; so no others were published until he had retired. They were his stock in trade, since Macklin seldom maintained a stable connection with one of the theatres. Instead he appeared now here now there for brief engagements or on special occasions, rather than as a regular member of the company, often carrying his plays with him. Thus a number have survived only in manuscript. The Larpent Collection contains seven,--the tragedy just mentioned, four farces, and two five-act comedies, one of these in three states.[1] This is _The Man of the World_ here reproduced for the first time in over a century and a half, despite the opinion expressed by Isaac Reed, in 1782, that "This play, ... in respect to originality, force of mind, and well-adapted satire, may dispute the palm with any dramatic piece that has appeared within the compass of half a century...."[2] Originally it had been performed in Dublin in 1764 under the title _The True-born Scotchman_, but in 1770 the Examiner of Plays in London refused to license it. It was re-submitted in 1779 and again forbidden, but was finally allowed and performed at Covent Garden on 10 May 1781, with the author in the part of Sir Pertinax Macsycophant.