I personally warn you that this is a really-truly story, though I do
not undertake to force you to believe it; neither do I purvey many
grains of salt. If Truth went about her affairs laughing, how many more
persons would turn and listen! For my part, I believe it all nonsense
the way artists have pictured Truth. The idea is pretty enough, but so
far as hitting things, it recalls the woman, the stone, and the hen. I
am convinced that Truth goes about dressed in the dowdiest of clothes,
with black-lisle gloves worn at the fingers, and shoes run down in the
heels, an exact portrait of one of Phil May's lydies. Thus it is that
we pass her by, for the artistic sense in every being is repelled at
the sight of a dowdy with weeping eyes and a nose that has been rubbed
till it is as red as a winter apple. Anyhow, if she _does_ go about in
beautiful nudity, she ought at least to clothe herself with smiles and
laughter. There are sorry enough things in the world as it is, without
a lachrymal, hypochondriacal Truth poking her face in everywhere.
Not many months ago, while seated on the stone veranda in the rear of
the Metropolitan Club in Washington (I believe we were discussing the
merits of some very old product), I recounted some of the lighter
chapters of this adventure.
_"Eempossible!"_ murmured the Russian attache, just as if the matter
had not come under his notice semi-officially.
I presume that this exclamation disclosed another side to diplomacy,
which, stripped of its fine clothes, means dexterity in hiding secrets
and in negotiating lies. When one diplomat believes what another says,
it is time for the former's government to send him packing. However,
the Englishman at my right gazed smiling into his partly emptied glass
and gently stirred the ice. I admire the English diplomat; he never
wastes a lie. He is frugal and saving.
"But the newspapers!" cried the journalist. "They never ran a line; and
an exploit like this would scarce have escaped them."
"If I remember rightly, it was reported in the regular police items of
the day," said I.
"Strange that the boys didn't look behind the scenes."
"Oh, I don't know," remarked the congressman; "lots of things happen of
which you are all ignorant. The public mustn't know everything."
"But what's the hero's name?" asked the journalist.
"That's a secret," I answered. "Besides, when it comes to the bottom of
the matter, I had something to do with the suppressing of the police
news. In a case like this, suppression becomes a law not excelled by
that which governs self-preservation. My friend has a brother in the
War Department; and together we worked wonders."
"It's a jolly droll story, however you look at it," the Englishman
admitted.
"Nevertheless, it had its tragic side; but that is even more than ever
a secret."
The Englishman looked at me sharply, even gravely; but the veranda is
only dimly illuminated at night, and his scrutiny went unrewarded.
Public-domain text, read in full here on John Shaqi.
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