But she was not. She had no sailor lover. What she was thinking of was that at about this time they would be lighting up the shop-windows in London, and that of all the deadly, depressing spots she had ever visited this village of Millbourne was the deadliest. The evening shadows deepened. The incoming tide glistened oilily as it rolled over the mud flats. She rose and shivered. 'Goo! What a hole!' she said, eyeing the unconscious village morosely. '_What_ a hole!' * * * * * This was Sally Preston's first evening in Millbourne. She had arrived by the afternoon train from London--not of her own free will. Left to herself, she would not have come within sixty miles of the place. London supplied all that she demanded from life. She had been born in London; she had lived there ever since--she hoped to die there. She liked fogs, motor-buses, noise, policemen, paper-boys, shops, taxi-cabs, artificial light, stone pavements, houses in long, grey rows, mud, banana-skins, and moving-picture exhibitions. Especially moving-picture exhibitions. It was, indeed, her taste for these that had caused her banishment to Millbourne. The great public is not yet unanimous on the subject of moving-picture exhibitions. Sally, as I have said, approved of them. Her father, on the other hand, did not. An austere ex-butler, who let lodgings in Ebury Street and preached on Sundays in Hyde Park, he looked askance at the 'movies'. It was his boast that he had never been inside a theatre in his life, and he classed cinema palaces with theatres as wiles of the devil. Sally, suddenly unmasked as an habitual frequenter of these abandoned places, sprang with one bound into prominence as the Bad Girl of the Family. Instant removal from the range of temptation being the only possible plan, it seemed to Mr Preston that a trip to the country was indicated. He selected Millbourne because he had been butler at the Hall there, and because his sister Jane, who had been a parlour-maid at the Rectory, was now married and living in the village. Certainly he could not have chosen a more promising reformatory for Sally. Here, if anywhere, might she forget the heady joys of the cinema. Tucked away in the corner of its little bay, which an accommodating island converts into a still lagoon, Millbourne lies dozing. In all sleepy Hampshire there is no sleepier spot. It is a place of calm-eyed men and drowsy dogs. Things crumble away and are not replaced. Tradesmen book orders, and then lose interest and forget to deliver the goods. Only centenarians die, and nobody worries about anything--or did not until Sally came and gave them something to worry about. * * * * *