The Man Upstairs and Other StoriesWodehouse, P. G. (Pelham Grenville)
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The Man Upstairs and Other Stories
Wodehouse, P. G. (Pelham Grenville)
Humorous stories, English
It was pleasant on the pier. Once you had passed the initial zareba of
fruit stands, souvenir stands, ice-cream stands, and the lair of the
enthusiast whose aim in life it was to sell you picture post-cards, and
had won through to the long walk where the seats were, you were
practically alone with Nature. At this hour of the day the place was
deserted; George had it to himself. He strolled slowly along. The water
glittered under the sun-rays, breaking into a flurry of white foam as
it reached the beach. A cool breeze blew. The whole scenic arrangements
were a great improvement on the stuffy city he had left. Not that
George had come to Marvis Bay with the single aim of finding an
antidote to metropolitan stuffiness. There was a more important reason.
In three days Marvis Bay was to be the scene of the production of
_Fate's Footballs_, a comedy in four acts by G. Barnert Callender.
For George, though you would not have suspected it from his exterior,
was one of those in whose cerebra the grey matter splashes restlessly
about, producing strong curtains and crisp dialogue. The company was
due at Marvis Bay on the following evening for the last spasm of
rehearsals.
George's mind, as he paced the pier, was divided between the beauties
of Nature and the forthcoming crisis in his affairs in the ratio of
one-eighth to the former and seven-eighths to the latter. At the moment
when he had left London, thoroughly disgusted with the entire
theatrical world in general and the company which was rehearsing
_Fate's Footballs_ in particular, rehearsals had just reached that
stage of brisk delirium when the author toys with his bottle of poison
and the stage-manager becomes icily polite. _The Footpills_--as
Arthur Mifflin, the leading juvenile in the great play, insisted upon
calling it, much to George's disapproval--was his first piece. Never
before had he been in one of those kitchens where many cooks prepare,
and sometimes spoil, the theatrical broth. Consequently the chaos
seemed to him unique. Had he been a more experienced dramatist, he would
have said to himself, 'Twas ever thus.' As it was, what he said to
himself--and others--was more forcible.
Public-domain text, read in full here on John Shaqi.
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