The Man Upstairs and Other StoriesWodehouse, P. G. (Pelham Grenville)
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The Man Upstairs and Other Stories
Wodehouse, P. G. (Pelham Grenville)
Humorous stories, English
'We shall have a good house,' he said. 'The stalls are full already,
and the dress-circle's filling. Work away, George, you're doing fine.
This act is going to be a scream from start to finish.'
With pleasant conversation he endeavoured to while away the monotony of
the journey; but George made no reply. He was doing some rapid
thinking. With ordinary luck, he felt bitterly, all would have been
well. He could have gone on splashing vigorously under his teacher's
care for a week, gradually improving till he emerged into a reasonably
proficient swimmer. But now! In an age of miracles he might have
explained away his present performance; but how was he to--And then
there came to him an idea--simple, as all great ideas are, but
magnificent.
He stopped and trod water.
'Tired?' said Mr Mifflin. 'Well, take a rest,' he added, kindly, 'take
a rest. No need to hurry.'
'Look here,' said George, 'this piece is going to be recast. We're
going to exchange parts. You're rescuing me. See? Never mind why. I
haven't time to explain it to you now. Do you understand?'
'No,' said Mr Mifflin.
'I'll get behind you and push you; but don't forget, when we get to the
shore, that you've done the rescuing.'
Mr Mifflin pondered.
'Is this wise?' he said. 'It is a strong part, the rescuer, but I'm not
sure the other wouldn't suit my style better. The silent hand-grip, the
catch in the voice. You want a practised actor for that. I don't think
you'd be up to it, George.'
'Never mind about me. That's how it's going to be.'
Mr Mifflin pondered once more.
'No,' he said at length, 'it wouldn't do. You mean well, George, but it
would kill the show. We'll go on as before.'
'Will we?' said George, unpleasantly. 'Would you like to know what I'm
going to do to you, then? I'm going to hit you very hard under the jaw,
and I'm going to take hold of your neck and squeeze it till you lose
consciousness, and then I'm going to drag you to the beach and tell
people I had to hit you because you lost your head and struggled.'
Mr Mifflin pondered for the third time.
'You are?' he said.
'I am,' said George.
'Then,' said Mr Mifflin, cordially, 'say no more. I take your point. My
objections are removed. But,' he concluded, 'this is the last time I
come bathing with you, George.'
Mr Mifflin's artistic misgivings as to his colleague's ability to
handle so subtle a part as that of rescuee were more than justified on
their arrival. A large and interested audience had collected by the
time they reached the shore, an audience to which any artist should
have been glad to play; but George, forcing his way through, hurried to
the hotel without attempting to satisfy them. Not a single silent
hand-shake did he bestow on his rescuer. There was no catch in his voice
as he made the one remark which he did make--to a man with whiskers who
asked him if the boat had upset. As an exhibition of rapid footwork
his performance was good. In other respects it was poor.
Public-domain text, read in full here on John Shaqi.
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