Adventure stories; Crime -- Fiction; New York (N.Y.) -- Fiction
"All right," I said, suddenly turning on him as the inspiration came to
me. "We'll try it, and we'll try it together. For I'm going to make
you take this stuff back, and take it back to-night."
I could see his face cloud. Then a sudden change came over it. His
rat-like eyes actually began to twinkle.
"I think we ought to have the police, sir," reiterated Benson,
remembering, doubtless, his encounter below-stairs. "He's an uncommon
tricky one, sir."
I saw, on more sober second thought, that it would be giving my friend
too much rope, too many chances for treachery. And he would not be
over-nice in his methods, I knew, now that I had him cornered. A
second idea occurred to me, a rather intoxicating one. I suddenly felt
like a Crusader saving from pollution a sacred relic. I could catch
the whimper of some unkenneled sense of drama in the affair.
"Benson," I said, "I'm going to leave this worthy gentleman here with
you. And while you look after him, I'm going to return this
peach-bloom vase to its owner."
"He ain't in town to-night," broke in my troubled burglar.
"And to demonstrate to his somewhat cynical cast of mind that there's
nothing extraordinary in his particular line of activity, I propose to
return it in the same manner that it was taken."
Benson looked troubled.
"I beg pardon, sir, but mightn't it get us all into a bit of trouble?
Couldn't we leave it until morning, sir, and talk it over quiet-like
with your friend Mr. McCooey, or with Lieutenant Belton, sir, or the
gentleman from the Pinkerton office?"
"And have a cuff-shooter running for help over such a triviality?
Never, Benson, never! You will make yourself comfortable here with
this gallant gentleman of the black-jack, and keep this handsome Colt
of his quite close about you while you're doing it. For I'm going to
take this piece of porcelain back where it belongs, even though I have
to face a dozen lap-dogs and frighten every housemaid of Twelfth Street
into hysterics."
Nobody, I have more than once contended, is altogether sane after
midnight. This belief came back to me as I stood before that
gloomy-fronted Fifth Avenue house, in that ebb-tide hour of the night
when even Broadway is empty, wondering what lay behind the brownstone
mask, asking myself what dangers lurked about that inner gloom,
speculating as to what sleepers stirred and what eyes, even as I stood
there, might be alert and watching.
As Benson had suggested, I might have waited decorously until daylight,
or I might have quietly ascended the wide stone steps and continued to
ring the electric push-bell until a sleepy servant answered it. But
that, after all, seemed absurdly tame and commonplace. It was without
the slightest tang of drama, and I was as waywardly impatient to try
that enticing tip-tilted instrument of steel on an opposing door as a
boy with a new knife is to whittle on the nursery woodwork.
Public-domain text, read in full here on John Shaqi.
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