Adventure stories; Crime -- Fiction; New York (N.Y.) -- Fiction
No one can claim to know New York who does not know its avenues in
those mystical small hours that fall between the revolving
street-sweeper and the robin-call of the first morning paper. Fifth
Avenue, above all her sisters, then lies as though tranquillized by
Death, as calm as the Coliseum under its Italian moonlight. She seems,
under the stars, both medievalized and spiritualized. She speaks then
in an intimate whisper foreign to her by day, veiling her earthlier
loquacity in a dreaming wonder, softening and sweetening like a woman
awaiting her lover. The great steel shafts enclosed in their white
marble become turrets crowned with mystery. And the street-floor
itself, as clean and polished as a ballroom, seems to undulate off into
outer kingdoms of romance. An occasional lonely motor-car, dipping up
its gentle slopes like a ship treading a narrow sea-lane buoyed with
pearls as huge as pumpkins, only accentuates the midnight solitude.
So up this dustless and odorless and transmuted avenue I wandered, as
passively as a policeman on his beat, asking of the quietness when and
how I might capture that crown of weariness known as sleep.
I wandered on, mocked at by a thousand drawn blinds, taunted by a
thousand somnolently closed doors. I felt, in that city of rest, as
homeless as a prairie wolf. The very smugness of those veiled and
self-satisfied house-fronts began to get on my nerves. The very
taciturnity of the great silent hostelries irritated me; everything
about them seemed so eloquent of an interregnum of rest, of relaxed
tension, of invisible reservoirs of life being softly and secretly
filled.
Yet as I came to the open width of the Plaza, and saw the wooded gloom
of Central Park before me, I experienced an even stronger feeling of
disquiet. There seemed something repugnant in its autumnal solitudes.
That vague _agoraphobia_ peculiar to the neurasthenic made me long for
the contiguity of my own kind, however unconscious of me and my
wandering they might remain. I found myself, almost without thought,
veering off eastward into one of the city's side-streets.
Yet along this lateral valley of quietness I wandered as disconsolately
as before. What impressed me now was the monotony of the house-fronts
which shouldered together, block by block. Each front seemed of the
same Indiana limestone, of the same dull gray, as though, indeed, the
whole district were a quarry checker-boarded by eroding cross-currents
out of the self-same rock. Each tier of windows seemed backed by the
same blinds, each street-step barricaded by the same door. I stopped
and looked up, wondering if behind those neutral-tinted walls and
blinds were lives as bald and monotonous as the materials that screened
them. I wondered if an environment so without distinction would not
actually evolve a type equally destitute of individuality.
Public-domain text, read in full here on John Shaqi.
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