Adventure stories; Crime -- Fiction; New York (N.Y.) -- Fiction
Once more I came to a stop, straining my eyes through the darkness.
Nothing whatever was to be seen. Along the floor of the hallway just
above my head, however, passed a small but unmistakable sound. It was
the soft _frou-frou_ of a skirt, a skirt of silk or satin, faintly
rustling as a woman walked the full length of the hall. I had just
made a mental register of the deduction that this woman was dressed in
street-clothes, and was, accordingly, an intruder from outside, rather
than a sleeper suddenly awakened, when a vague suffusion of light
filled the space above me and was as quickly quenched again.
I knew the moment I heard the soft thud of wood closing against wood,
that a door had been quietly opened and as quietly closed again. The
room into which that door led must have been faintly lighted, for it
was the flowering of this refracted light that had caught my attention.
I went silently up the stairs, step by step, listening every now and
then as I advanced. Once I reached the floor level I kept close to the
wall, feeling my way along until I came to the door I wanted.
There was no way whatever of determining what stood on the other side
of that door, without opening it. I knew what risks I ran in
attempting any such movement. But I decided it was worth the risk.
Now, if a door is opened slowly, if every quarter-inch of movement is
measured and guarded, it can, as a rule, be done noiselessly. I felt
quite sure there was not one distinguishable sound as I cautiously
turned that bronze knob and even more cautiously worked back the door,
inch by inch.
I came to a stop when it stood a little more than a foot from the jamb.
I did not, at first, attempt to sidle in through the aperture; that
would have been needlessly reckless. I stood there waiting,
anticipating the effect the door-movement might have had on any
occupant of the room, had it been seen.
While I waited I also studied that portion of the chamber which fell
within my line of vision. I saw enough to convince me that the room
was a bedroom. I could also make out that it was large, and from the
rose-pink of its walls to the ivory-white of its furnishings it stood
distinctly feminine in its note.
There was, I felt, a natural limit to that period of experimental
inaction. The silence lengthened. The crisis of tedium approached,
arrived, and passed. Audaciousness reconquered me, and I actually
advanced a little into the room. Steadying myself with one hand on the
door-frame, I thrust my body through the narrow aperture until the
whole four walls lay subject to my line of vision.
The first thing I noticed was a green-shaded electric lamp burning on
what seemed to be a boudoir writing-table. It left the rest of the
room in little more than twilight. But after the utter darkness
through which I had groped, this faint illumination was quite adequate
for my purposes.
Public-domain text, read in full here on John Shaqi.
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