Chauffeurs -- Fiction; Detective and mystery stories; Short stories
"Half the Gaiety's there, to say nothing of the Merry Widow," says he,
as I pushed past him, "and don't you be in a hurry, guv'nor, 'cause
you've forgotten yer diamond collar. They won't say nothink up there,
not if you was to go in a billycock 'at and a duster, s'welp me, they
wouldn't----" But I didn't listen to him, and going up the front door
steps by the policemen, I told them I was Lord Crossborough's driver,
and passed right in.
Now I have been through many funny scenes in my life, seen many funny
gentlemen, to say nothing of funny ladies, and have had many a good
time on many a good car. But this I shall say at once, that I never
got a greater surprise than when I got back to 20B, and found myself in
the empty hall among twenty or thirty pairs of yellow breeches and as
many cooks in white aprons, all pushing and shouting, and swearing that
the area gate was locked and bolted, and the kitchen in no fit state to
serve supper to a dog.
Upstairs on the landings men in white aprons were carrying plants in
pots, and building up banks of roses; while higher up still stood Lord
Crossborough himself--the gentleman I had driven from the
Carlton--shouting to them to do this and to do that, smoking a cigar as
long as your arm, and all the time as merry as a two-year-old at a
morning gallop.
As for the young ladies, they had taken off their cloaks, and all wore
pretty gowns, same as they would wear for any party in that part of the
world, and they were standing by his lordship's side, apparently just
as much amused as he was. What astonished me in particular was this
nobleman's affability towards me, for he cried out directly he saw me,
and implored me for heaven's sake to get the padlock off the area gate,
or, says he, "I'm d--d if they won't be cooking the ducks in the
drawing-room."
I was only too ready to oblige him, that goes without saying, though I
had to run round to the garage for a file and a chisel, and when I got
back for the second time, it took me twenty minutes to get off the
padlock, after which they sent me upstairs, as they said, "to help with
the flats." Then I discovered that a play, or something, was to be
given in the drawing-room, the back part of which was full of scenery,
showing a castle on the top of a precipice and a view of the Thames
Embankment just below it, while away in the small library on the other
side of the staircase stood twenty or thirty ballet girls, just come
from one of the West End theatres.
Public-domain text, read in full here on John Shaqi.
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