The Man Who Knew Too MuchChesterton, G. K. (Gilbert Keith)
ReligionComparative
The Man Who Knew Too Much
Chesterton, G. K. (Gilbert Keith)
Aristocracy (Social class) -- Fiction; Detective and mystery stories, English; Great Britain -- Fiction
"More likely you are Verner himself; and it's no good wasting
eloquence to make you ashamed of yourself. Nor is it any good to
curse you for corrupting England; nor are you the right person to
curse. It is the English who deserve to be cursed, and are cursed,
because they allowed such vermin to crawl into the high places of
their heroes and their kings. I won't dwell on the idea that you're
Verner, or the throttling might begin, after all. Is there anyone
else you could be? Surely you're not some servant of the other rival
organization. I can't believe you're Gryce, the agent; and yet Gryce
had a spark of the fanatic in his eye, too; and men will do
extraordinary things in these paltry feuds of politics. Or if not
the servant, is it the . . . No, I can't believe it . . . not the
red blood of manhood and liberty . . . not the democratic ideal . . ."
He sprang up in excitement, and at the same moment a growl of
thunder came through the grating beyond. The storm had broken, and
with it a new light broke on his mind. There was something else that
might happen in a moment.
"Do you know what that means?" he cried. "It means that God himself
may hold a candle to show me your infernal face."
Then next moment came a crash of thunder; but before the thunder a
white light had filled the whole room for a single split second.
Fisher had seen two things in front of him. One was the
black-and-white pattern of the iron grating against the sky; the
other was the face in the corner. It was the face of his brother.
Nothing came from Horne Fisher's lips except a Christian name, which
was followed by a silence more dreadful than the dark. At last the
other figure stirred and sprang up, and the voice of Harry Fisher
was heard for the first time in that horrible room.
"You've seen me, I suppose," he said, "and we may as well have a
light now. You could have turned it on at any time, if you'd found
the switch."
He pressed a button in the wall and all the details of that room
sprang into something stronger than daylight. Indeed, the details
were so unexpected that for a moment they turned the captive's
rocking mind from the last personal revelation. The room, so far
from being a dungeon cell, was more like a drawing-room, even a
lady's drawing-room, except for some boxes of cigars and bottles of
wine that were stacked with books and magazines on a side table. A
second glance showed him that the more masculine fittings were quite
recent, and that the more feminine background was quite old. His eye
caught a strip of faded tapestry, which startled him into speech, to
the momentary oblivion of bigger matters.
"This place was furnished from the great house," he said.
"Yes," replied the other, "and I think you know why."
Public-domain text, read in full here on John Shaqi.
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