Visconti must be aging, I fear, for he has taken to repeating himself.
He has told me often before that his daughter Gina is the apple of his
eye, but during these somewhat listless days in the office in which
"extras" figure largely and strategy is the one indoor game, he has been
going into more detail.
I dined at his house last night and to-day he asked me again to dine on
Saturday. I dislike refusing him and I like lying less. But I declined
on the plea of an engagement.
"I always forget," he returned with a laugh, "that a young man is not
_un’ burbero_ of a widower like me—that a young man, in short, has
engagements."
I made some sort of deprecating noise. He talks as though I were
twenty-two, and I like him for it.
"But you see, _amico mio_," he went on explaining, "it is like this:
Gina, the _carissima bambina mia_, is the apple of my eye. And she must
be—what do you call it—amused—amused, made gay, bright—you see?"
I signified my clairvoyance.
"She is nineteen—a _fanciulla_ of nineteen, she must have
much—eh—amusement, not so?"
He is fond of the Socratic method and I humored him.
"But doesn’t she go to parties—has she no girl friends?"
"Ah, _sicurissimo, sicurissimo_. But a girl—nineteen years—it is young
men in the house that amuse her, eh?" And he slapped me on the back and
roared with laughter of a boisterous heartiness that somewhat, as
novelists say, "took me aback."
I have not exactly been seeing myself in the guise of a youth cut out to
amuse Gina Visconti.
"How of Sunday?" he asked, with a sudden quizzical soberness. "Sunday
you can come?"
I regretted his insistence, but somewhat laboredly I explained that I am
weakly addicted to books; and that Sunday was the single day when I
could sit among my books and—
"Ah, but of course!" gravely. He understood full well that I was a
student, a scholar, who outside office hours pursued a higher life, and
so forth.
I felt mawkish and mean but I clung to my Sunday.
"Monday, then—shall we call it Monday?" he pressed.
I could not be so churlish as to decline further. But I hardly knew why
a sense of uneasiness stole into my bosom after his subsequent words.
"The _fanciulla_," he went on, thoughtfully vehement. "She is all I
possess—all in the world. At my death she shall possess everything I
have. She has it now! For whom then do I work if not for Gina? As for
me, I could go back to Italy—maybe. I have enough. But Gina—she is
American girl—ah!" and he kissed his finger tips with unction. "She is
fine American girl!"
Having said that, he veered into talk about Belgium, Von Kluck and
general strategy.
But why should he so persistently sing the praises and prospects of his
daughter to me, a clerk in his office?
Public-domain text, read in full here on John Shaqi.
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