I dared not make a movement in return. At that moment I might have
betrayed more than ever again I could hide. But the woods were now of
another hue; the invisible lark was still singing, albeit a sadder
strain.
We decided that Alicia is to enter Barnard next week and commute with me
on the daily train.
*CHAPTER XXI*
Dear God! How I cry out for peace, and there is no peace!
Who would have looked for disaster at the plump hands of Gina Visconti?
Yet, as though she had willfully shut the door of my livelihood in my
face, that innocent girl has abruptly cut me off.
I cannot go back to Visconti’s. That accursed dinner, which instinct
made me shun, was the cause and occasion of it all.
I had begun foolishly to feel myself at home in the Visconti household.
When the housemaid informed me that the _signorina_ would be down
directly, I strolled into the drawing-room leisurely, not in the least
surprised that I was apparently the only guest, and gazed again at the
shining new furniture, costly and glistening, for the _n_th time
wondering how it continued to stay so new. There is a scattering of
saccharine pictures on the walls that invariably make me smile: Cherry
Ripe, the Old Oaken Bucket, Sweet Sixteen; a glittering small marble of
Cupid and Psyche and a crayon enlargement of the very stout lady that
was Gina’s mother. Why, I wondered, do not modern Italians stick to
their own old masters? I once bought a very fair copy of Pope Julian II
in Florence for fifty lire. Even Gina’s energetic modernism, however,
seemed unable to exorcise the peculiar airless odor of an Italian’s
drawing-room, due largely, I suppose, to hermetically sealed windows and
constantly lowered shades.
Gina came down directly, as had been promised, in a very pretty satin
evening frock that struck me as too light for a girl as full-bodied as
she. That is a detail, however, which was superseded in my mind by the
query as to why she should feel it necessary to romp into a room rather
than walk. But I know she aspires to be hyper-American. Her greeting
is always warm and her energy was the one touch of ozone in that stuffy
drawing-room. A moment later entered her father, his dark-red face
pardonably gleaming like a moon through the haze at the charms of his
only daughter. For Gina is not only pretty—she is eminently modish, to
the last wave of her rich black hair.
"Is she a fine American girl—or is she not, eh?" Visconti’s half-proud,
half-defiant look seems to challenge all present.
Public-domain text, read in full here on John Shaqi.
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