The Man Who Saved the Earth
by Austin Hall
[Illustration: Not a sound; the whole works a complicated mass covering
a hundred acres, driving with a silence that was magic. Not a whir nor
friction. Like a living composite body pulsing and breathing the strange
and mysterious force that had been evolved from Huyck’s theory of
kinetics. The four great steel conduits running from the globes down the
side of the mountain. In the center at a point midway between the globes,
a massive steel needle hung on a pivot and pointed directly at the sun.]
We read of the days when the powers of radium were yet
unknown. It is told us that burns were produced by
incautiously carrying a tube of radium salts in the
pocket. And here in this story we are told of a different
power, opalescence, due to another element. It can destroy
mountains, excavate cavities of immeasurable depths and
kill human beings and animals in multitude. The story
opens with a poor little boy experimenting with a burning
glass. Then he becomes the hero of the story—he studies
and eventually finds himself able to destroy the earth. He
exceeds Archimedes in his power. And he suddenly finds
that he has unlocked a power that threatens this very
destruction. And the story depicts his horror at the
Frankenstein which he had unloosed, and tells of his wild
efforts to save humanity, and of the loss of the cosmic
discoveries of the little newsboy grown up to be a great
scientist.
CHAPTER I
THE BEGINNING
Even the beginning. From the start the whole thing has the precision
of machine work. Fate and its working—and the wonderful Providence
which watches over Man and his future. The whole thing unerring: the
incident, the work, the calamity, and the martyr. In the retrospect of
disaster we may all of us grow strong in wisdom. Let us go into
history.
A hot July day. A sun of scant pity, and a staggering street; panting
thousands dragging along, hatless; fans and parasols; the sultry
vengeance of a real day of summer. A day of bursting tires; hot
pavements, and wrecked endeavor, heartaches for the seashore, for
leafy bowers beside rippling water, a day of broken hopes and listless
ambition.
Perhaps Fate chose the day because of its heat and because of its
natural benefit on fecundity. We have no way of knowing. But we do
know this: the date, the time, the meeting; the boy with the burning
glass and the old doctor. So commonplace, so trivial and hidden in
obscurity! Who would have guessed it? Yet it is—after the creation—one
of the most important dates in the world’s history.
This is saying a whole lot. Let us go into it and see what it amounts
to. Let us trace the thing out in history, weigh it up and balance it
with sequence.
Public-domain text, read in full here on John Shaqi.
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