Indeed, there is something vastly different about the science of
Charley Huyck. Science to be sure, but not prosaic. He was the first
and perhaps the last of the school of Dr. Robold, a peculiar
combination of poetry and fact, a man of vision, of vast, far-seeing
faith and idealism linked and based on the coldest and sternest truths
of materialism. A peculiar tenet of the theory of Robold: “True
science to be itself should be half poetry.” Which any of us who have
read or been at school know it is not. It is a peculiar theory and
though rather wild still with some points in favor.
We all of us know our schoolmasters; especially those of science and
what they stand for. Facts, facts, nothing but facts; no dreams or
romance. Looking back we can grant them just about the emotions of
cucumbers. We remember their cold, hard features, the prodding after
fact, the accumulation of data. Surely there is no poetry in them.
Yet we must not deny that they have been by far the most potent of all
men in the progress of civilization. Not even Robold would deny it.
The point is this:
The doctor maintained that from the beginning the progress of material
civilization had been along three distinct channels; science,
invention, and administration. It was simply his theory that the first
two should be one; that the scientist deal not alone with dry fact but
with invention, and that the inventor, unless he is a scientist, has
mastered but half his trade. “The really great scientist should be a
visionary,” said Robold, “and an inventor is merely a poet, with
tools.”
Which is where we get Charley Huyck. He was a visionary, a scientist,
a poet with tools, the protege of Dr. Robold. He dreamed things that
no scientist had thought of. And we are thankful for his dreaming.
The one great friend of Huyck was Professor Williams, a man from
Charley’s home city, who had known him even back in the days of
selling papers. They had been cronies in boyhood, in their teens, and
again at College. In after years, when Huyck had become the visionary,
the mysterious Man of the Mountain, and Williams a great professor of
astronomy, the friendship was as strong as ever.
But there was a difference between them. Williams was exact to
acuteness, with not a whit of vision beyond pure science. He had been
reared in the old stone-cold theory of exactness; he lived in figures.
He could not understand Huyck or his reasoning. Perfectly willing to
follow as far as facts permitted he refused to step off into
speculation.
Which was the point between them. Charley Huyck had vision; although
exact as any man, he had ever one part of his mind soaring out into
speculation. What is, and what might be, and the gulf between. To
bridge the gulf was the life work of Charley Huyck.
Public-domain text, read in full here on John Shaqi.
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