Foma was on friendly terms with the little girl, but when she angered
or teased him he turned pale, his nostrils became distended, his eyes
stared comically and he beat her audaciously. She cried, ran to her
mother and complained to her, but Antonina loved Foma and she paid but
little attention to her daughter’s complaints, which strengthened the
friendship between the children still more. Foma’s day was long and
uniform. Getting out of bed and washing himself, he used to place
himself before the image, and under the whispering of the pock-marked
Buzya he recited long prayers. Then they drank tea and ate many
biscuits, cakes and pies. After tea--during the summer--the children
went to the big palisade, which ran down to a ravine, whose bottom
always looked dark and damp, filling them with terror. The children were
not allowed to go even to the edge of the ravine, and this inspired in
them a fear of it. In winter, from tea time to dinner, they played in
the house when it was very cold outside, or went out in the yard to
slide down the big ice hill.
They had dinner at noon, “in Russian style,” as Mayakin said. At first a
big bowl of fat, sour cabbage soup was served with rye biscuits in,
but without meat, then the same soup was eaten with meat cut into small
pieces; then they ate roast meat--pork, goose, veal or rennet, with
gruel--then again a bowl of soup with vermicelli, and all this was
usually followed by dessert. They drank kvass made of red bilberries,
juniper-berries, or of bread--Antonina Ivanovna always carried a stock
of different kinds of kvass. They ate in silence, only now and then
uttering a sigh of fatigue; the children each ate out of a separate
bowl, the adults eating out of one bowl. Stupefied by such a dinner,
they went to sleep; and for two or three hours Mayakin’s house was
filled with snoring and with drowsy sighs.
Awaking from sleep, they drank tea and talked about local news, the
choristers, the deacons, weddings, or the dishonourable conduct of this
or that merchant. After tea Mayakin used to say to his wife:
“Well, mother, hand me the Bible.”
Yakov Tarasovich used to read the Book of Job more often than anything
else. Putting his heavy, silver-framed spectacles on his big, ravenous
nose, he looked around at his listeners to see whether all were in their
places.
They were all seated where he was accustomed to see them and on their
faces was a familiar, dull and timid expression of piety.
Public-domain text, read in full here on John Shaqi.
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