Thus lived Foma, day in and day out, always turning around on one and the same place, amid people who were always alike, and who never inspired him with any noble feelings. And then he considered himself superior to them, because the thoughts of the possibility of freeing himself from this life was taking deeper and deeper root in his mind, because the yearning for freedom held him in an ever firmer embrace, because ever brighter were the pictures as he imagined himself drifting away to the border of life, away from this tumult and confusion. More than once, by night, remaining all by himself, he would firmly close his eyes and picture to himself a dark throng of people, innumerably great and even terrible in its immenseness. Crowded together somewhere in a deep valley, which was surrounded by hillocks, and filled with a dusty mist, this throng jostled one another on the same place in noisy confusion, and looked like grain in a hopper. It was as though an invisible millstone, hidden beneath the feet of the crowd, were grinding it, and people moved about it like waves--now rushing downward to be ground the sooner and disappear, now bursting upward in the effort to escape the merciless millstone. There were also people who resembled crabs just caught and thrown into a huge basket--clutching at one another, they twined about heavily, crawled somewhere and interfered with one another, and could do nothing to free themselves from captivity. Foma saw familiar faces amid the crowd: there his father is walking boldly, sturdily pushing aside and overthrowing everybody on his way; he is working with his long paws, massing everything with his chest, and laughing in thundering tones. And then he disappears, sinking somewhere in the depth, beneath the feet of the people. There, wriggling like a snake, now jumping on people’s shoulders, now gliding between their feet, his godfather is working with his lean, but supple and sinewy body. Here Lubov is crying and struggling, following her father, with abrupt but faint movements, now remaining behind him, now nearing him again. Striding softly with a kind smile on her face, stepping aside from everybody, and making way for everyone, Aunt Anfisa is slowly moving along. Her image quivers in the darkness before Foma, like the modest flame of a wax candle. And it dies out and disappears in the darkness. Pelagaya is quickly going somewhere along a straight road. There Sophya Pavlovna Medinskaya is standing, her hands hanging impotently, just as she stood in her drawing-room when he saw her last. Her eyes were large, but some great fright gleams in them. Sasha, too, is here. Indifferent, paying no attention to the jostling, she is stoutly going straight into the very dregs of life, singing her songs at the top of her voice, her dark eyes fixed in the distance before her. Foma hears tumult, howls, laughter, drunken shouts, irritable disputes about copecks--songs and sobs hover over this enormous restless heap of