The old man’s monotonous speeches soon accomplished what they were
intended to do. Foma listened to them and made clear to himself the aim
of life. He must be better than others, he resolved, and the ambition,
kindled by the old man, took deep root in his heart. It took root
within his heart, but did not fill it up, for Foma’s relations toward
Medinskaya assumed that character, which they were bound to assume. He
longed for her, he always yearned to see her; while in her presence
he became timid, awkward and stupid; he knew it and suffered on this
account. He frequently visited her, but it was hard to find her at home
alone; perfumed dandies like flies over a piece of sugar--were always
flitting about her. They spoke to her in French, sang and laughed, while
he looked at them in silence, tortured by anger and jealousy. His
legs crossed, he sat somewhere in a corner of her richly furnished
drawing-room, where it was extremely difficult to walk without
overturning or at least striking against something--Foma sat and watched
them sternly.
Over the soft rugs she was noiselessly passing hither and thither,
casting to him kind glances and smiles, while her admirers were fawning
upon her, and they all, like serpents, were cleverly gliding by the
various little tables, chairs, screens, flower-stands--a storehouse
full of beautiful and frail things, scattered about the room with a
carelessness equally dangerous to them and to Foma. But when he walked
there, the rugs did not drown his footsteps, and all these things caught
at his coat, trembled and fell. Beside the piano stood a sailor made of
bronze, whose hand was lifted, ready to throw the life-saving ring; on
this ring were ropes of wire, and these always pulled Foma by the hair.
All this provoked laughter among Sophya Pavlovna and her admirers, and
Foma suffered greatly, changing from heat to cold.
But he felt no less uncomfortable even when alone with her. Greeting him
with a kindly smile, she would take a seat beside him in one of the cosy
corners of her drawing-room and would usually start her conversation by
complaining to him of everybody:
“You wouldn’t believe how glad I am to see you!” Bending like a cat,
she would gaze into his eyes with her dark glance, in which something
avidious would now flash up.
“I love to speak to you,” she said, musically drawling her words. “I’ve
grown tired of all the rest of them. They’re all so boring, ordinary
and worn-out, while you are fresh, sincere. You don’t like those people
either, do you?”
“I can’t bear them!” replied Foma, firmly.
“And me?” she asked softly.
Foma turned his eyes away from her and said, with a sigh:
“How many times have you asked me that?”
“Is it hard for you to tell me?”
“It isn’t hard, but what for?”
“I must know it.”
“You are making sport of me,” said Foma, sternly. And she opened her
eyes wide and inquired in a tone of great astonishment:
“How do I make sport of you? What does it mean to make sport?”
Public-domain text, read in full here on John Shaqi.
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