Painters -- Fiction; Paranormal fiction; Trees -- Fiction
"David," she said, raising her voice, "I think you're feeling the
dampness. It's grown chilly. The fever comes so suddenly, you know, and
it might be wide to take the tincture. I'll go and get it, dear, at
once. It's better." And before he could object she had left the room to
bring the homeopathic dose that she believed in, and that, to please
her, he swallowed by the tumbler-full from week to week.
And the moment the door closed behind her, Sanderson began again, though
now in quite a different tone. Mr. Bittacy sat up in his chair. The two
men obviously resumed the conversation--the real conversation
interrupted beneath the cedar--and left aside the sham one which was so
much dust merely thrown in the old lady's eyes.
"Trees love you, that's the fact," he said earnestly. "Your service to
them all these years abroad has made them know you."
"Know me?"
"Made them, yes,"--he paused a moment, then added,--"made them _aware
of your presence_; aware of a force outside themselves that
deliberately seeks their welfare, don't you see?"
"By Jove, Sanderson--!" This put into plain language actual sensations
he had felt, yet had never dared to phrase in words before. "They get
into touch with me, as it were?" he ventured, laughing at his own
sentence, yet laughing only with his lips.
"Exactly," was the quick, emphatic reply. "They seek to blend with
something they feel instinctively to be good for them, helpful to their
essential beings, encouraging to their best expression--their life."
"Good Lord, Sir!" Bittacy heard himself saying, "but you're putting my
own thoughts into words. D'you know, I've felt something like that for
years. As though--" he looked round to make sure his wife was not there,
then finished the sentence--"as though the trees were after me!"
"'Amalgamate' seems the best word, perhaps," said Sanderson slowly.
"They would draw you to themselves. Good forces, you see, always seek to
merge; evil to separate; that's why Good in the end must always win the
day--everywhere. The accumulation in the long run becomes overwhelming.
Evil tends to separation, dissolution, death. The comradeship of trees,
their instinct to run together, is a vital symbol. Trees in a mass are
good; alone, you may take it generally, are--well, dangerous. Look at a
monkey-puzzler, or better still, a holly. Look at it, watch it,
understand it. Did you ever see more plainly an evil thought made
visible? They're wicked. Beautiful too, oh yes! There's a strange,
miscalculated beauty often in evil--"
"That cedar, then--?"
"Not evil, no; but alien, rather. Cedars grow in forests all together.
The poor thing has drifted, that is all."
They were getting rather deep. Sanderson, talking against time, spoke so
fast. It was too condensed. Bittacy hardly followed that last bit. His
mind floundered among his own less definite, less sorted thoughts, till
presently another sentence from the artist startled him into attention
again.
Public-domain text, read in full here on John Shaqi.
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