England -- Fiction; English fiction -- 19th century; Inheritance and succession -- Fiction; Mystery fiction
It was the high road to the village of Garsworth, wide, deeply rutted,
and somewhat grass-grown, with a tall hedge of yellow-blossomed gorse
on the one side, and on the other a ragged, broken fence, over which
leaned a man absorbed in meditation, his eyes fixed upon the setting
sun.
The fence, rotten and moss-tufted, ran along the edge of a little
hill, the slope of which had been lately reaped, and was now covered
with bristly yellow stubble, variegated by bare-looking patches of
brownish earth.
At the bottom of the hill flowed the narrow river Gar, with its
sluggish waters rolling lazily along between the low mud banks,
bordered by rows of pollard willows and lush rank grasses which hid
the burrows of the water-rats. Beyond, towards the distant hills,
stretched the damp, melancholy fen-lands, with their long lines of
slimy ditches, still pools of black water, and scattered clumps of
stunted trees. Still further away appeared a scanty fringe of forest,
above which could be seen the square, grey tower of a church, and over
all glared an angry red sky barred with thin lines of heavy clouds,
looming intensely black against the accentuating crimson light behind.
An evil-looking scene it was, for over the brooding loneliness and
desolation of the fen-lands flared the fierce scarlet of the sunset,
turning the slender line of the river and the sombre pools of water to
the tint of blood, as though they had been smitten with the Egyptian
plague.
A chill wind, heavy with the unwholesome miasma of the fens was
blowing over the moist earth, and across the plain floated a vaporous
white mist, making the stunted trees look weird and spectral behind
its shadowy veil.
The man, leaning over the fence, took a cigarette out of his mouth and
shivered slightly.
"Ugh!" he muttered, with an uneasy shudder, "it's like the Valley of
the Shadow of Death." Then, replacing the cigarette, he continued
contemplating the uncanny-looking landscape to which the term was
singularly applicable.
It was a curious face upon which shone the red sunlight, being long
and narrow, with lantern jaws and a thin, hawk-like nose. Thread-like
black eyebrows in a straight line above piercing dark eyes and a
scanty black moustache twisted jauntily at the ends over
tightly-closed lips. Curly hair, the colour of ebony, worn longer than
usual, and touched at the temples with grey, appeared from under his
soft wideawake, around which was twisted a blue handkerchief with
white spots. A livid, cadaverous-looking face, with the haggard
expression of one who had lived a fast life; nevertheless it appeared
full of animation and nervous energy.
He was tall, being much above the average height, with sloping
shoulders and a slender, well-knit figure, clad in a rough suit of
grey homespun, which he wore with a certain natural grace. His feet
were well-shaped and neatly shod in tan-coloured boots, and his hands,
long and slender, were those of an artist.
Public-domain text, read in full here on John Shaqi.
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