England -- Fiction; English fiction -- 19th century; Inheritance and succession -- Fiction; Mystery fiction
"A charming city which affords great opportunities for studying art
both in music and painting."
"Did you study either, Miss Challoner?" asked Nestley, who seemed
rather annoyed at the impression Beaumont had made.
"A little of both," she answered. "I was educated in Munich, but I'm
afraid my learning was rather desultory--I sing a little--paint a
little--and do both badly."
"That would be impossible," said Nestley desirous of paying a
compliment, but Una frowned at the remark.
"Don't, please," she said coldly, "I dislike insincerity."
Nestley reddened a little at the tone of her voice and the obvious
rebuke, on seeing which Una held out her hand to him with a charming
smile.
"You must not mind what I say, Dr. Nestley," she observed, bending
forward, "I'm afraid I'm dreadfully rude."
"And wonderfully charming," thought Beaumont, who, however, kept his
opinion to himself, warned by the fate of his friend.
The young doctor, meanwhile, had hastily assured Una that he did not
mind her severity, in fact rather liked it, and would doubtless in all
sincerity have committed himself again only that Blake commenced to
sing "Come, Marguerite come," from Sullivan's "Martyr of Antioch," and
they all listened attentively.
Cecilia played the graceful accompaniment of _arpeggi_ lightly, while
above this constant sweep of dissevered chords, rising and falling
with the voice, the high, penetrating notes of the singer flowed
smoothly onward and, as the organist played softly, the full purity of
the voice could be heard with marvellous effect. Owing to want of
training, Blake's voice lacked in a great measure the power to give a
perfect rendering to the melody, but the richness and mellowness of
his notes were undeniable.
When he had finished Beaumont's face betrayed the pleasure he felt,
and Una, who was watching him closely, asked his opinion.
"A wonderful voice," he said critically, as the three walked up the
aisle, "but of course it requires a great deal of cultivation."
"I think it's charming," interposed Nestley, eager to curry favour
with Una by praising one whom she evidently regarded as a brother.
"Of course you would think so," replied Beaumont a little
contemptuously, "because you know nothing about the subject; to an
uncultivated ear Blake's voice sounds well because he has a
wonderfully fine organ, but to a musician there is a crudeness of
style, a want of colouring, and a lack of refinement which makes him
regret that such a great natural gift is not trained to its full
capabilities."
"But you're not a musician?" said Nestley, nettled at the superior
tone adopted by his friend.
Public-domain text, read in full here on John Shaqi.
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