A sharp fit of coughing interrupted the old man, and left him so
exhausted that he took his seat and leaned back, staring at the fire,
and only moving at times to put on a lump of coal, till towards evening,
when he rose and made himself some tea. Then, putting a piece of candle
loose in his pocket, with happy indifference to the fact that it was not
wax, he took a box of matches from the mantelpiece and thrust them in
with the candle, as he believed, felt in another pocket for his key, and
trudged off to the church to put things in order for the next day's
service.
Moredock reached the old lych gate in the dark autumnal evening, passed
through, and ascended the path, which looked like a cutting in the
churchyard, six hundred years of interments having raised the ground
till it formed a bank, while the church itself seemed to have become
sunken.
Half-way up he struck off along a narrower path which curved round to
the old iron-studded door in the tower, a door whose hinges resembled
Norse runes, so twisted and twined was the iron-work.
The heavy old key was inserted, turned, and taken out, and as the door
yielded to pressure the key was inserted on the other side. The next
minute the door was closed and locked, and Moredock stood in the old
tower, fumbling in the darkness for the horn lantern which stood in a
stone niche.
The lantern was found, opened, and the piece of candle inserted in the
socket. The next thing was a search for the matches, which, however,
were not found, for they were reposing on the rug in the sexton's
cottage.
And there he stood fumbling and muttering for some minutes in the total
darkness, till, believing that the matches must have been left behind,
he uttered a loud grunt, and prepared to do without.
It was no great difficulty; for, as he stood in the basement of the old
square tower, with the five bells high above his head, and the ropes
hanging therefrom, he knew that to his right ran the rickety old flight
of stairs leading to the different floors and the leads of the tower; on
his left his tools leaning against the stone wall, and the great
cupboard in which, in company with planks and ropes, were sundry
grisly-looking relics, dug up from time to time, but never seen by any
one but himself; behind him was the door by which he had entered, and
facing him the lancet-shaped little opening through the tower wall,
leading into the west end of the church.
It was dark enough where he next stood, for he was beneath the loft
where the school children and the singers sat on Sundays; but in front
of him, dimly seen by the great east window being beyond it, and looking
like an uncouth, dwarf, one-legged monster, was the massive stone font,
round which he passed slowly, and then walked straight along the centre
aisle towards the tomb-encumbered chancel, cut off by its antique oaken
screen.
Public-domain text, read in full here on John Shaqi.
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