[Illustration: [_Facsimile of the entry in the Registers of the Church
of Saint-Paul at Paris, recording the death of the Man with the Iron
Mask._]]
THE
MAN WITH THE IRON MASK.
BY MARIUS TOPIN.
TRANSLATED AND EDITED
BY HENRY VIZETELLY,
AUTHOR OF
“THE STORY OF THE DIAMOND NECKLACE.”
“No one must know what has become of this man.”
_Order of Louis XIV._
_LONDON:
SMITH, ELDER AND CO., 15, WATERLOO PLACE.
1870._
TRANSLATOR’S PREFACE.
M. Topin’s _L’Homme au Masque de Fer_, of which the present volume is a
translation, has met with considerable attention in France, on the part
both of historical students and the reading public; several editions of
it having been called for in the course of a few months.
That a work which professes to give an authentic account of this almost
legendary character, after having discussed in an exhaustive fashion
the various theories that have been broached during a century and a
quarter respecting his mysterious identity, should have been received
with so large an amount of favour, is not surprising, for the story
forms perhaps the most romantic episode of a reign more than ordinarily
rich in dramatic incidents. But the extent of M. Topin’s historical
knowledge, the painstaking nature of his researches, the subtlety of
his reasoning, the skill which he has displayed in the grouping of
his materials, combined with his life-like pictures of events far from
commonly familiar, not only render his work highly amusing reading,
but entitle it to take its place in the library, both as an historical
study which has resolved beyond all doubt a problem that had long
perplexed some of the acutest minds, and as a valuable contribution
towards the history of Europe during the latter part of the seventeenth
century.
During the progress of the translation M. Topin’s text has been
carefully revised, and a few errors have been corrected. Additional
notes, too, have been given whenever the subject-matter seemed to
require elucidation, or where individuals little known to English
readers make their appearance on the scene.
H. V.
_Paris, April, 1870._
AUTHOR’S PREFACE.
Public-domain text, read in full here on John Shaqi.
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