Fantasy fiction, French -- Translations into English; Paranormal fiction, French -- Translations into English
"Bernard Hertzog relates that the burgrave Hugh, surnamed Lupus, or the
Wolf, when he was old, used to wear a cowl, which was a kind of knitted
cap that covered in the crest of the knight's helmet when engaged in
fighting. When the helmet tired him he would take it off and put on the
knitted cowl, and its long cape fell around his shoulders.
"Up to his eighty-second year Hugh still wore his armour, though he could
hardly breathe in it.
"Then he sent for Otto of Burlach, his chaplain, his eldest son Hugh, his
second son Berthold, and his daughter the red-haired Bertha, wife of a
Saxon chief named Bluderich, and said to them--
"'Your mother the she-wolf has bequeathed you her claws; her blood flows,
mingled with mine, in your veins. In you the wolf's blood will flow from
generation to generation; it shall weep and howl among the snows of the
Black Forest. Some will say, "Hark! The wind howls!" others, "No, it is
the owl hooting!" But not so; it is your blood, mine and the blood of the
she-wolf who drove me to murder Hedwige, my wife before God and the
Church. She died under my bloody hands! Cursed be the she-wolf! for it is
written, "I will visit the sins of the fathers upon the children." The
crime of the father shall be visited upon the children until justice
shall have been satisfied!'
"Then old Hugh the Wolf died.
"From that dreary day the north wind has howled across the wilds, and the
owl has hooted in the dark, and travellers by night know not that it is
the blood of the she-wolf weeping for the day of vengeance that will
come, whose blood will be renewed from generation to generation--so says
Hertzog--until the day when the first wife of Hugh, Hedwige the Fair,
shall reappear at Nideck under the form of an angel to comfort and to
forgive!"
Then Sperver, rising from his seat, took a lamp and demanded of Knapwurst
the keys of the library, and beckoned to me to follow him.
We rapidly traversed the long dark gallery, then the armoury, and soon
the archive-chamber appeared at the end of the great corridor.
All noises had died away in the distance. The place seemed quite
deserted.
Once or twice I turned round, and could then see with a creeping feeling
of dread our two long fantastic shadows in ghostly fashion writhing in
strange distortions upon the high tapestry.
Sperver quickly opened the old oak door, and with torch uplifted, his
hair all bristling in disorder, and excited features, walked in the
first. Standing before the portrait of Hedwige, whose likeness to the
young countess had struck me at our first visit to the library, he
addressed me in these solemn words:--
"Here is she who was to return to comfort and pity me! She has returned!
At this moment she is downstairs with the old count. Look well, Fritz; do
you recognise her? Is it not Odile?"
Then turning to the picture of Hugh's second wife--
Public-domain text, read in full here on John Shaqi.
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