The Manager of the B. & A.: A NovelKester, Vaughan
General
The Manager of the B. & A.: A Novel
Kester, Vaughan
American fiction; Railroad stories
“That's just like Mr. Joyce. He is always doubting his ability, and
every one says he gets wonderful likenesses.”
“I guess,” said Oakley, awkwardly, inspired by a feeling of large
humanity, “I guess you'll have to be my guest when I go East this fall.
You know I can always manage transportation,” he added, hastily.
“Oh, that would be lovely!” cried Mrs. Joyce, in an ecstasy of happiness
at the mere thought. “Could you?”
Joyce, with a rather unsteady hand, placed the lamp on the centre-table
and gazed at his new friend with a gratitude that went beyond words.
Oakley recognized that in a small way he was committed as a patron of
the arts, but he determined to improve upon his original offer, and
send Mrs. Joyce with her husband. She would enter into the spirit of his
pleasure as no one else could.
“Can't I see more of your work?” he asked, anxious to avoid any
expression of gratitude.
“I wish you'd show Mr. Oakley what you are doing now, Turner. He may
give you some valuable criticisms.”
For, by that unique, intuitive process of reasoning peculiar to women,
she had decided that Oakley's judgment must be as remarkable as his
generosity.
His words roused Joyce, who had stood all this while with misty eyes
blinking at Oakley. He turned and took a fresh canvas from among those
leaning against the wall and rested it on the easel. “This is a portrait
I'm doing of Jared Thome's daughter. I haven't painted in the eyes yet.
That's a point they can't agree upon. You see, there's a slight cast--”
“She's cross-eyed, Turner,” interjected Mrs. Joyce, positively.
“Jared wants them the way they'll be after she's been to Chicago to be
operated on, and his wife wants them as they are now. They are to settle
it between them before she comes for the final sitting on Saturday.”
“That is a complication,” observed Oakley, but he did not laugh. It was
not that he lacked a sense of humor. It was that he was more impressed
by something else.
The little artist blinked affectionately at his work.
“Yes, it's going to be a good likeness, quite as good as any I ever got.
I was lucky in my flesh tints there on the cheek,” he added, tilting his
head critically on one side.
“What do you think of Mr. Joyce's work?” asked Mrs. Joyce, bent on
committing their visitor to an opinion.
“It is very good, indeed, and perhaps he is doing a greater service
in educating us here at Antioch than if he had made a name for himself
abroad. Perhaps, too, he'll be remembered just as long.”
“Do you really think so, Mr. Oakley?” said the little artist,
delighted. “It may sound egotistical, but I have sometimes thought that
myself--that these portraits of mine, bad as I know they must be, give
a great deal of pleasure and happiness to their owners, and it's a great
pleasure for me to do them, and we don't get much beyond that in this
world, do we?”
CHAPTER IV
OAKLEY took the satchel from General Cornish's hand as the latter
stepped from his private car.
Public-domain text, read in full here on John Shaqi.
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