The Manchester and Glasgow Road, Volume 2 (of 2): This Way to Gretna Green — John Shaqi
The Manchester and Glasgow Road, Volume 2 (of 2): This Way to Gretna GreenHarper, Charles G. (Charles George)
History
The Manchester and Glasgow Road, Volume 2 (of 2): This Way to Gretna Green
Harper, Charles G. (Charles George)
England -- Description and travel; Scotland -- Description and travel
At Old Trafford are the Botanical Gardens, once admirably placed, but
now as incongruous as though, say, St. James’s Park were set beside
the Commercial Road. Manchester amused itself in a genteel way there;
but to see how Manchester can intensely enjoy itself after a spell of
dogged work, the Belle Vue Gardens, Longsight, should be visited at
holiday time. The place is the, superlatively _the_, popular resort,
and is Hampstead Heath, Rosherville, and the Crystal Palace combined.
[Sidenote: _THE FENIANS_]
There is no end to describing Manchester: it is so vast and so varied,
and its story presents so many chapters. One might say something of the
Fenian outrage of September 18th, 1867, when Sergeant Brett, in charge
of the prison-van conveying prisoners to Belle Vue Gaol, was shot in
the Hyde Road by a desperate gang of forty armed men endeavouring to
release the criminals, Kelly and Deasy. Of those arrested, Allen,
Larkin, and O’Brien were sentenced to death, and hanged at the New
Bailey Prison, Salford; figuring since in the perverted Irish Valhalla
of heroes as “the Manchester Martyrs.”
[Illustration: MANCHESTER TOWN HALL.]
In another glance at Manchester the great Town Hall, in Albert
Square, demands notice, not merely because it cost considerably over
a million pounds, but because it is one of the chief architectural
embellishments of the city. Opened in 1877, it was, like many other
modern public buildings here, the work of Alfred Waterhouse. The style
is an enriched Early English and the exterior stately to a degree. But
what shall we say of the beautiful but dark interior, with its maze
of corridors, its unexpected steps up and steps down? The stranger to
Manchester, however, must needs entrust himself to the perils of that
wilderness, for in the very fine and striking series of twelve fresco
paintings by Ford Madox Brown he will find not only a justification
of pre-Raphaelite methods, allied with some fine colouring and some
very quaint drawing, but an illuminating pictorial commentary upon the
history of the city.
[Sidenote: _BACK STREETS_]
Public-domain text, read in full here on John Shaqi.
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