The Manhattaners: A Story of the HourVan Zile, Edward S. (Edward Sims)
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The Manhattaners: A Story of the Hour
Van Zile, Edward S. (Edward Sims)
Manhattan (New York, N.Y.) -- Fiction
“I thought, John, that you had no convictions!” exclaimed Richard
pointedly.
“You are mistaken, boy,” returned Fenton, with a touch of his old
cynicism. “Every man has a large supply of them--to offer to his
friends. Good-night.”
CHAPTER XIX.
“You are very thoughtful, Mr. Stoughton,” remarked Mrs. Percy-Bartlett
gently, as she wheeled around on the piano-stool and looked Richard
squarely in the face.
“I was weighing a sentence just uttered by John Fenton--one of those
haunting phrases of his that will not take a back seat when they have
once entered the mind.”
“He must be a man of peculiar power, this John Fenton,” commented Mrs.
Percy-Bartlett musingly. “I have heard him quoted a good deal of late.”
“By Gertrude Van Vleck?” asked Richard, with an impulsive exhibition of
bad taste.
Mrs. Percy-Bartlett frowned.
“I am astonished, Mr. Stoughton! Your question is simply shocking.
But tell me,” she continued, leaning forward, and looking at him
inquisitively, “do you really think that Mr. Fenton is interested in
Gertrude?”
“I am astonished!” cried Richard. “Your question is simply shocking,
Mrs. Percy-Bartlett.”
Their eyes met, and they laughed merrily. They were both very happy for
the moment. The love-affairs of other people may form at times a very
effective counter-irritant and delay a crisis that Platonic friendship
is apt to carry with it when a young married woman and an ardent youth
use it as a cloak to conceal their feelings.
“In some respects,” remarked Mrs. Percy-Bartlett musingly, “it would be
an ideal union.”
“If there are such,” put in Richard reflectively.
“That sounds like the cynicism of your friend Mr. Fenton. I hope, Mr.
Stoughton, that you are not losing your ideals.”
“On the contrary,” said Richard earnestly, “I am finding new ones.”
“May I ask where?” she murmured, a wistful look in her brown eyes.
“I have found the highest of them all in this little music-room,” he
said with more earnestness in his tone than it had held before. “What
ideal is so beautiful as that which forms the basis of our friendship?
Is it not true that the altar on which we make the hardest sacrifice
is that which becomes the most sacred in our sight? I might live a
thousand years, but when memory grew weary of its heavy task, it would
still turn fondly to the scene before me now, and I would see myself in
fancy a youth with an ideal--an ideal that sealed his lips--and broke
his heart.”
He had turned very pale, and his words seemed to him to have been
forced from him by a mysterious and irresistible influence that he
could neither recognize nor control.
The woman’s eyes were heavy with unshed tears. As he had gone on
speaking in a low, vibrant tone, she had felt the blood rush to her
face, and then recede, leaving her cheeks white and drawn. Her hands
trembled as she turned and struck a few wavering, melancholy chords on
the piano.
Public-domain text, read in full here on John Shaqi.
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