The Manoeuvring Mother (vol. 1 of 3)Bury, Charlotte Campbell, Lady
General
The Manoeuvring Mother (vol. 1 of 3)
Bury, Charlotte Campbell, Lady
English fiction -- 19th century
It was the fate of Anna Maria to love this man; and while the cold,
stiff manners of the beautiful Miss Wetheral, chilled the approach
of distant admirers, her heart was sincerely and really given to
Tom Pynsent. It is in vain to argue upon love, which arises from a
thousand causes unconnected with personal appearance. Love takes a
thousand forms, and defies the power of reason. When Shakespeare gave
the "Weaver" charms in the eyes of Titania, he illustrated at once its
blindness and its intensity. Tom Pynsent might have sought and won the
heart and taste of Miss Wycherly, who regularly attended the hunt and
broke in her own carriage horses, but who could suppose he had power
to captivate the gentle and graceful Miss Wetheral?
Lady Spottiswoode was celebrated for the agreeability and number of
her carpet dances. Every fortnight produced a gay society at her large
mansion in Shrewsbury; and at her parties the county families mixed
occasionally with the more humble inhabitants of the town. It was this
very mixture which gave Lady Spottiswoode's parties their decided
superiority over those of the neighbourhood; for at her house she
possessed the advantage of numbers, and she congregated more youth,
beauty, and novelty than her country neighbours could ever boast at
their _élite_, but smaller, and less pleasant meetings.
Shrewsbury, at the time of Miss Wetheral's introduction, contained many
families whose claims to gentility might compete with their own, but
whose income excluded them from distant and expensive society. They
were always assembled at Lady Spottiswoode's, and, from the variety
and novelty which sparkled in her drawing-rooms, her parties were
considered the most delightful reunions in the country. No one ever
stayed away from Lady Spottiswoode's, who had the power of locomotion;
and it was at Lady Spottiswoode's assemblies that Tom Pynsent carried
on his plans for lowering the pride of Julia Wetheral.
Anna Maria beheld in the keenest pain, but with unaltered expression
of countenance, his unceasing persecution of her sister: whichever way
Julia moved, Tom Pynsent was beside her, or before her; his eyes were,
eternally watching her actions, and, when Julia was not his partner, he
declined joining the dancers. If Julia observed his fixed determination
to be attentive, she heeded it not, for she was dancing and flirting
with Lord Ennismore, and her heart disdained the man who had deserted
her sister, after a long course of ungenerous flirtation, which meant
nothing, and which had injured the peace of its object.
Public-domain text, read in full here on John Shaqi.
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