The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
=Naples Yellow.=—This handsome pigment, which is, unfortunately,
susceptible to the action of sulphuretted hydrogen, is known
commercially under different names. Naples yellow takes its names from
the fact that it was formerly exclusively made in Italy, where the
method was kept secret, a secret which disappeared with the advance of
analytical chemistry. Naples yellow is now known to be lead antimoniate.
Naples yellow is a handsome pigment. Its preparation is more tedious
than that of chrome yellow, hence it is now rarely employed. The author
has had practical experience that much of the so-called Naples yellow
of commerce is nothing but a suitably shaded chrome yellow.
Naples yellow can be prepared by different methods. According to the
oldest, given by Brunner, 1 part of pure tartar emetic is carefully and
thoroughly ground with 2 parts of lead nitrate and 4 parts of common
salt. The mixture is melted at a low heat in a Hessian crucible, and
the fluid mass poured on a cold iron plate. After cooling, it is boiled
out with water, when lead antimoniate remains as a powder of a more
or less deep yellow colour. It is not easy to obtain this favourable
result with certainty in every case. If a certain temperature is
exceeded only by a little, a hard mass results, which by long boiling
does not become a fine powder, but a sandy substance of little
brilliance. Even when the operation succeeds, the product often varies
considerably in shade, sometimes a sulphur yellow, at other times an
orange pigment being formed. As a rule, the paler product is obtained
at a lower temperature; by stronger heating, darker products of a red
shade are obtained.
According to another recipe, 2 parts of tartar emetic are melted with 4
parts of lead nitrate and 8 parts of common salt. The mass is treated
with very dilute hydrochloric acid for a long time, which extracts some
quantity of lead oxide, a deeper product being thus obtained. Care is,
however, necessary in this treatment; acid of too great strength would
spoil the whole product.
The Paris method for Naples yellow is as follows: metallic antimony is
oxidised by melting in air; to 12 parts of antimony, 8 parts of red
lead and 4 parts of zinc oxide are used, and the mixture is melted at a
low red heat.
A cheap, but not particularly bright product, can be obtained from old
printer’s type. The metal, which is an alloy of antimony and lead, is
powdered, mixed with 3 parts of saltpetre and 4 parts of common salt,
melted, and the mass washed out with water.
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