The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments — John Shaqi
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
According to their use and preparation, pigments are divided into a
number of classes, and one speaks of painters’, artists’, enamel,
porcelain and glass colours, also of oil, honey, water and cake
colours. Although this division is important for trade purposes, it
is of little moment for the colour maker, for he can prepare the same
colour for both purposes, either for oil or water colour. What is of
the greatest interest for the colour maker is the preparation of the
pigment itself. The conversion of the prepared pigment into (oil or
water) paint is unaccompanied by difficulties.
When we look for a practical classification for pigments, we find that
there are colours which exist ready formed in nature, and others which
can only be obtained by certain chemical processes, at times very
complicated.
As regards the first group of pigments—those which exist ready formed
in nature—the processes which they undergo at the hands of the colour
maker are almost entirely mechanical treatments—grinding, sieving,
levigating and similar operations—in order to convert them into such
a condition that they can be used for painting. Since a large number
of these pigments belong to that class of minerals which mineralogists
call earths, these pigments have also been designated earth pigments,
a term which we shall retain on account of its general use, although
it is incorrect, since many of the so-called earth pigments are not
obtained from “earths” in the mineralogical sense.
Among the pigments which are prepared by human skill many divisions can
be drawn. A large number of pigments are prepared from mineral sources;
an equally important number are derived from the animal and vegetable
kingdom, the latter consisting of combinations of organic materials
with certain inorganic substances. Some few pigments (putting aside the
coal-tar colours) are simply organic products, as, for example, the
majority of the black pigments, which consist of carbon.
The following classification is drawn up on the lines indicated above:—
1. _Natural Colours or Earth Pigments._—Found ready formed in nature
and requiring only mechanical preparation to be usable. A large number
of handsome and also cheap colours belong to this class.
2. _Artificially Prepared Mineral Pigments._—Obtained by certain
chemical processes, and, according to their composition, either
compounds of metals with sulphur, oxygen, iodine, cyanogen, etc., or of
oxides with acids, i.e., salts.
3. _Lakes._—Compounds of colouring matters from the animal or vegetable
kingdom with a mineral substance, such as lead oxide or alumina.
As a fourth group we might take those colours which do not fall into
the previous classes, as, for example, the black pigments composed of
carbon; but since this division is not made in practice we shall not
regard this species of pigment as a particular group, but shall discuss
them in the proper place.
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