The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
to blue by aspirating air at _m_, or after closing the opening, _d_,
and removing the plate, _f_, the green ultramarine can be raked into
the collecting chamber, _P_, and there oxidised. The retorts are then
immediately re-filled with the mixture and the temperature raised.
[Illustration: FIG. 28.]
The heating of a charge lasts nine to ten hours; the larger the
quantity of sodium sulphide in the mixture the shorter is the time
required. The mixture is spread out in the muffles in a layer 7 to
9 centimetres thick, and brought to a moderate red heat. When the
whole mass is uniformly hot it is more strongly heated; the change
of the constituents then becomes visible. The mixture takes at first
a brownish colour, and is somewhat similar in appearance to liver
of sulphur. The colour soon begins to incline to green, and finally
changes to a tolerably pure green, but always has a yellow tinge. Those
parts of the hot mass which come into contact with air are more blue,
and occasionally change to a pure blue. When crucibles are used the
upper layer of the contents is always bluer than the lower, and when
crucibles crack during the heating the portions near the cracks always
show distinctly a more or less blue colour.
When the calcination is finished the hot mass drawn out of the muffles
is at once brought into washing vessels, in which it is treated with
water so long as soluble materials are extracted. The compounds
dissolved in the water are chiefly sodium sulphide and sulphate and
a little alumina dissolved in caustic soda. The presence of a larger
quantity of caustic soda in the wash waters indicates too violent
heating. In this case the mass will not mix up easily in water; it
contains sintered lumps. The washed material is strained, spread out
on boards or linen stretched across frames, and completely dried by
artificial heat.
At this stage the product may be described as green ultramarine and
sold as such, or it may be converted into blue ultramarine. For the
latter purpose it is ground to a moderately fine meal, but green
ultramarine must be ground to a very fine powder; the finer the powder
the brighter the shade.
In order to obtain blue ultramarine from the washed and ground
substance, it is subjected for a short time to a moderate red heat
with unrestricted access of air. The heating by which the blue colour
is produced must be continued until the proper shade is obtained.
This operation is conducted in special muffles; in many works it is
customary to sprinkle powdered sulphur upon the heated mass during the
roasting. The sulphur burns, forming sulphur dioxide, which escapes
into the furnace through an opening at the back of the muffle. The
object of the addition of sulphur may be to keep the temperature from
rising beyond a certain point, or to prevent a possible reduction of
the sulphur compounds in the ultramarine.
Public-domain text, read in full here on John Shaqi.
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