The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
Many pigments possess the undesirable property of losing their
brightness under atmospheric influences; many, indeed, fade away
completely in the course of time. We have only to examine a picture
some centuries old; in spite of the care bestowed on its preservation,
we can say with certainty that, in the course of time, it will be so
completely altered that nothing will remain of the original colours.
It is the endeavour of the sensible manufacturer of colours to make
only such as remain unaltered by atmospheric action, and also undergo
no change when they are mixed with other pigments. Although it may be
highly desirable that the painter should possess a knowledge of the
chemical properties of the colours he uses, still it should be the
first object of the maker to take care that he places on the market
only colours which will remain as much as possible unaltered when used
alone, and will remain undecomposed when mixed. This is, unfortunately,
not the case with many colours now in use. We shall return later to
this point, of such extraordinary importance to the artist.
The second point to be observed, is to produce only harmless colours.
The advances of chemistry have made known to us a series of colours
which have the advantage over others known for a longer period that
they are non-poisonous. Unluckily, these harmless colours frequently
fall behind the poisonous colours in brilliance, and generally they are
more expensive. Here, too, is opened to the manufacturer a wide field
of activity. The more completely poisonous substances disappear from
the colours in use, the more widespread will be the use of colours. We
should remark that the expression “poisonous colours” is to be used
with a certain reserve. Many pigments which contain lead, copper,
antimony, mercury, etc., are poisonous, because they contain poisonous
metals; but poisoning with them will not readily take place on account
of their insolubility. It is different with the very poisonous arsenic
compounds, which should be removed from the list of colours in common
use; many a misfortune caused by them would then be avoided.
Endeavours to produce innocuous colours have been more successful than
the efforts after permanence. There are now very few commonly used
colours which can be accounted very poisonous compounds, and which
cannot be replaced by other colours of equal beauty. On the whole, we
are now in the position to prepare harmless colours suited to most
purposes. Special endeavours should be made to sell these, so that
such cases of poisoning should not occur as, for example, caused by
gingerbread which had been wrapped in paper coloured by emerald green.
CHAPTER III.
RAW MATERIALS EMPLOYED IN THE MANUFACTURE OF PIGMENTS.
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