The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
Calculated for Found.
Na₃ 7·9 per cent. 8·1 per cent.
H₅ 0·57 ” 0·72 ”
Al₄ 12·3 ” 13·3 ”
Si₁₆ 19·1 ” 19·3 ”
S₄ 14·6 ” 15·2 ”
O₂₅ 45·6 ” 43·4 ” (by difference).
It appears that in the red two more equivalents of sodium have been
replaced by hydrogen. The violet is apparently a sodium salt of which
the red is the acid. The violet made by means of ammonium chloride
is also converted by hydrochloric acid gas at 128° to 132° C. into a
handsome red containing nitrogen, and the red is changed by hydrogen at
280° to 290° C. into a lighter pale blue.
CHAPTER XXV.
BLUE COPPER PIGMENTS.
=Bremen Blue and Green.=—The pigment known as Bremen blue or Bremen
green consists of copper hydroxide. It possesses all the disadvantages
of copper compounds; it is very sensitive towards sulphuretted hydrogen
and sulphur dioxide; in contact with air containing the former gas it
is quickly turned black. It has also other disadvantages; it cannot
be used in oil, for when ground in oil it is quickly discoloured, on
account of the formation of copper oleate. If a wall which has not
completely dried be covered with Bremen green, in a short time it will
be covered with spots. In spite of this small stability, Bremen green
is still largely used by artists on account of its low price, although
it could be replaced by other pigments almost as cheap and considerably
more durable.
Copper hydroxide comes into the market under many names. The pigments
known as blue verditer, lime blue and mountain blue contain essentially
copper hydroxide. The preparation of pure copper hydroxide on the
large scale will be first described. Copper sulphate is the usual raw
material. In order to obtain a colour of a pure blue shade it must be
free from iron, the presence of which would result in the production of
a discoloured precipitate.
Public-domain text, read in full here on John Shaqi.
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