The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
=Pale Blue Ultramarine.=—If the violet is heated in hydrogen at 280° to
290° C., it is converted into a pure, bright, pale blue. This has an
absorption spectrum in which the red is not absorbed, but appears more
brilliant than in the spectrum of ultramarine rich in alumina. Pale
blue is turned violet blue by heating at 300° C., and at a red heat a
dull blue. It is not yet made on a commercial scale, but on account of
its great purity of shade it appears to be valuable for many purposes;
perhaps it may replace alumina cobalt blue. The composition of pale
blue is:—
Calculated for Found.
Na₅ 12·4 per cent. 11·9 per cent.
H₅ 0·54 ” 0·62 ”
Al₄ 11·7 ” 13·1 ”
Si₆ 18·2 ” 19·7 ”
S₄ 13·9 ” 12·7 ”
O₂₅ 43·3 ” 42·0 ” (by difference).
By a comparison of the composition of the violet and pale blue
ultramarines, it is seen that the chief difference is an increase of
hydrogen in the latter.
=Ultramarine Red.=—Since ultramarine violet increases in brightness
and redness of shade in the air, Wunder erroneously believed that
this was due to oxidation, and that, consequently, the violet could be
converted into a red by oxidising agents. Nitric acid vapours led over
ultramarine violet at 170° to 200° C. do not act upon it, but where
drops of nitric acid are spirted over, the violet is changed to red.
Wunder then reduced the temperature to 135° to 145° C. and obtained
the first ultramarine red. Iron is attacked by nitric acid at lower
temperatures, but not at 135° C.; the iron boxes previously described
could therefore be used. It was afterwards found that at a sufficiently
low temperature hydrochloric acid gas converts ultramarine violet into
red. The iron boxes cannot be used for this operation, as they are
attacked at the temperature; the stone chests are used instead. Other
acids also act on ultramarine violet; boric acid gives a reddish-violet.
The violet is spread out on the dishes standing on three feet mentioned
before, and heated to 128° to 132° C. At higher temperatures the violet
is unaltered, whilst below 100° C. it is decomposed. The hydrochloric
acid is poured in from time to time through earthenware tubes into
dishes in which it evaporates.
A mixture of red and blue would appear violet, but would behave
towards reagents in a different manner to real ultramarine violet.
Ultramarine blue is decomposed at 128° to 132° C. by hydrochloric acid
to a gelatinous mass, whilst at this temperature ultramarine violet is
changed into a bright red. From the blue no violet can be obtained by
nitric acid, but the violet gives a red at 135° to 145° C. Analysis
would also indicate the difference. Ultramarine red has the following
composition:—
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