The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
=Bistre.=—When soot is produced at a very low temperature it is very
lustrous, and, in addition to carbon, contains a notable quantity
of the products of dry distillation. When this soot is powdered and
treated with water the latter substances are dissolved; boiling water
should be used. When water is no longer coloured the soot is suspended
in a large quantity of water and subjected to a process of levigation.
The fine powder obtained by repeated levigation has, when dry, an ugly
brown colour, but when ground it acquires an extremely warm shade.
CHAPTER XXXIX.
BLACK PIGMENTS.
Carbon occurs in nature in many different forms—the diamond, graphite
(black lead), and purified lamp black are, from the chemical point of
view, one and the same substance, namely, carbon. In colour making the
non-crystalline form of carbon, which is pure black, is alone used;
almost all black pigments used in painting are composed of tolerably
pure carbon. In whatever way and from whatever materials carbon is made
for use as a pigment, the manufacturer must always endeavour to obtain
it as pure as possible, and in a condition of the finest division; the
depth of colour and the covering power depend on these two conditions.
Carbon only shows a pure black colour when it is pure; if it contains
relatively small quantities of impurities, it has a more or less brown
shade.
At first sight it appears to be a very simple matter to obtain black
pigments from organic materials; it is simply necessary to expose them
in the absence of air to a temperature high enough to decompose them,
carbon is then left as a residue. In spite of the apparent simplicity
of this operation there are many difficulties. The preparation of good
black pigments demands considerable practice.
There are two methods by which carbon can be made for use as a pigment.
One has been indicated, the heating of organic materials in the absence
of air, _i.e._, their dry distillation; the second, which produces the
best qualities of black, consists in burning substances very rich in
carbon with a very small supply of air. The product of this process,
commonly known as soot, is very different in external appearance from
carbon made by dry distillation. The latter forms an easily powdered
mass, which only acquires lustre by grinding with oil, whilst soot
consists generally of very light flocks, which, in consequence of their
greasy nature, exhibit a peculiar velvety lustre.
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