The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
In commerce there are many qualities of black, the names of which are
generally chosen quite arbitrarily. The so-called ivory black is an
example of this. At some period it was observed that ivory produced a
very fine black when carbonised; this black was made for a long time
from refuse ivory. When it was found that a similar black could be
made quite as well from much cheaper materials, it was no longer made
from ivory. The name, however, remains in trade to the present day: it
has come to be regarded as a description of quality. By the name of
ivory black a fine black pigment is understood; it is immaterial to the
consumer whether it is made from ivory or not: to him the quality of
the pigment, but not its source, is important.
According to the method of production, the black pigments can be
divided into charcoal blacks and soot blacks.
CHARCOAL BLACKS.
This term is applied to the pigments obtained by heating organic
substances in the absence of air. The charcoal blacks have two valuable
properties: they are easily made, and they exhibit a pure black shade
which it is far more difficult to obtain with the soot blacks. It is
very difficult to convert these pigments into the requisite state
of fine division. They cannot be levigated on account of their low
specific gravity, which causes them to settle very slowly in water.
It only remains to convert the charcoal into a very soft powder
by grinding, but even then the pigment has but little covering
power, because it is not possible to destroy the organic structure
of the substance carbonised. When the finest charcoal powder, made
by carbonising any organic substance, is examined under a powerful
microscope the structure of the particles is at once recognised, so
that it is almost always possible to decide whether the charcoal is
of plant or animal origin. A very careful examination may show what
particular part of the plant has been carbonised. If a manufacturer
succeeded in producing by direct carbonisation a black with the
covering power of a soot black, that black would soon be the only one
found in commerce.
The charcoal blacks come on the market under various names—ivory black,
bone black, vine black, Frankfort black, Paris black, etc. The ivory
blacks are the best quality, but recently true vine black, _i.e._, made
from grape residues, has come into use.
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