The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
The soot collects on the walls of the chambers in flocks, which finally
become so heavy that they fall off and collect on the floor. The entry
to the soot chambers should be through a single iron door, tightly
closed whilst the chambers are in use, and cemented round. If this door
does not fit air-tight the combustion cannot be exactly regulated by
the damper on the chimney. The soot is removed from the chambers by a
workman, who sweeps off with a soft brush into a sheet-iron vessel the
soot adhering to the walls and lying on the ground. It is extremely
important that soot and nothing else should be collected; the brush
used for loosening the soot should be so soft that it does not rub off
mortar from the brickwork; the workman’s shoes should be provided with
felt soles, so that no particles are loosened from the floor of the
chamber and mixed with the soot. The admixture of the smallest quantity
of sand would be extremely harmful in the ensuing grinding of the soot;
the mills would be damaged.
The flues for collecting the soot in well arranged works are very
similar, but the apparatus used for burning the materials which produce
the soot varies greatly according to the nature of the material. Some
quantity of the soot black used in the arts is still made by burning
pine roots and chips, but for the finer qualities American rosin
is largely employed. Earth-wax or ozokerite and the hydrocarbons
obtained from petroleum and in the distillation of shale are materials
frequently used in making soot blacks of very good quality. For
the finest qualities, such as are used for fine printing inks,
copper-plate inks and black lacquers, soot obtained by burning fish
oils or cheap fatty oils is most commonly used. The great differences
in the physical nature of these materials demand the use of different
apparatus for their combustion. The space allotted to soot blacks in
this work would be far exceeded if the construction of all the forms of
apparatus were described; the most important only will be given.
[Illustration: FIG. 30.]
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