The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigmentsBersch, Josef
Science
The manufacture of mineral and lake pigments : $b Containing directions for the manufacture of all artificial artists' and painters' colours, enamel colours, soot and metallic pigments
Bersch, Josef
Dyes and dyeing; Pigments
In using a new oil it is not easy at first to regulate the flow so
that absolutely all is burned without any dropping off the burner; to
prevent the loss of this portion, the lower end of the air regulator
is conical, at the apex of the cone is a small tube and under this
a vessel in which the unburnt oil is caught. In Fig. 32, S is the
air regulator, T the vessel to catch the unburnt oil, L the pipe
leading from each burner to the common pipe H, G the vessel in which a
float regulates the flow from a larger reservoir, so that the liquid
always remains at the same level. When tar oils are used, or thin
mineral oils, the pipes which convey the oil to the burners may be
made tolerably narrow, but when viscous oils or fish oils are burned,
narrow tubes would offer too great resistance to the flow, so that
it is always advisable to use fairly wide pipes. Viscous oils become
considerably more fluid at higher temperatures, it is therefore well
to place the reservoirs in the same room as the lamps; in winter the
temperature of this room is kept fairly high by the burning of the
lamps, and thus the oils remain fluid.
FIG. 32.
In recent years hydrocarbons of very low boiling point have been
placed on the market at low prices; these produce a black of very good
quality. On account of the low boiling point of these very inflammable
liquids, particular care is necessary in burning them; they are very
fluid and retain their fluidity at a low temperature. The reservoirs
for them should be placed for safety outside the lamp room, and
should be closed by an air-tight lid, with only one small opening
through which air can enter. When these low boiling liquids are used,
particular care must be taken to regulate the flow to the lamp, or
large quantities will evaporate without being burnt.
The materials used in the manufacture of soot black differ considerably
in chemical constitution. Rosin, animal and vegetable fats, distilled
oils and volatile hydrocarbons are used. Each of these substances gives
different decomposition products when heated, to which proper regard
must be had, since the quality of the black is dependent on them. The
more difficultly volatile are the products of distillation, the higher
must be the temperature at which the combustion is conducted, otherwise
the soot will contain a considerable quantity of these products of
distillation. In consideration of the great variety of materials used
for making soot black, it is impossible to say exactly in what manner
each should be treated: this must be left to the practical experience
of the manufacturer.
CHAPTER XLI.
MANUFACTURE OF LAMP BLACK.
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